- 영문명
- Fragmentary Bodies and Modern Eyes in Eliot's Poems
- 발행기관
- 한국T.S.엘리엇학회
- 저자명
- 이홍섭(Hong-Seop Lee)
- 간행물 정보
- 『T. S. 엘리엇연구』제14권 제1호, 103~120쪽, 전체 18쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2004.06.30

국문 초록
영문 초록
Viewing the contemporary West as the world that experienced the total crisis of civilization, Eliot, a representative poet of modernism, sought to uncover the deep-seated problems of modernity. For Eliot, the full chaos of the early twentieth century Europe arose not only from the socio-economical problems but, more significantly, from the crisis of sensibility and morality. Keenly penetrating into the crisis of modernity and modern subjectivity, Eliot re-presented in his early poems the modern city as the time-space of a secular hell and urban residents as ghostly/fragmentary figures. Human bodies were, for him, not merely biological but cultural territories, in which the agenda of subjectivity, otherness, gender, and sexuality was confronted and intertwined. Especially, the “urban eyes” which frequently appeared in his poems profoundly dramatized theses agendas.
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