- 영문명
- A Study of Unsuk Chin’s 《12 Piano Etudes》: Analysis and performance suggestions for No. 1 to No. 6 published
- 발행기관
- 경희대학교 학술단체협의회
- 저자명
- 강가람(Garam Kamg)
- 간행물 정보
- 『고황논집』제69집, 33~78쪽, 전체 46쪽
- 주제분류
- 복합학 > 학제간연구
- 파일형태
- 발행일자
- 2021.12.31

국문 초록
영문 초록
This study analyzes the No. 1 to 6 works published under the theme of Unsuk Chin's "12 Piano Etudes" and presents parts that can help the ideal performance from a performer's perspective. In addition, for the genre "Etude," which corresponds to this work also tracks the changes in meaning over time.
Each etude contains a title that reflects the content of the piece. ‘in C’, ‘Sequenzen’, ‘Scherzo ad libitum’, ‘Scalen’, ‘Toccata’, ‘Grains’.
As a result of analyzing through the score, her etudes included many features in terms of ‘sound’, ‘rhythm’, and ‘scale’. First, she tried to create a unique sound through the use of pedals(sustain pedal and sostenuto pedal) in and . Secondly, it applies a complex rhythm system through rhythmic ostinato, which can be found in , and the polyrhythm that appears throughout the work. Third, the sound C is emphasized by the use of whole-tone scale and harmonic series with C sound as fundamental tone.
On the basis of the findings, the work reveals Unsuk Chin's new and original musical language, while at the same time showing that the traditional appearance is not excluded. It was also impressive that each piece was not only excellent in an independent way, but also organically related to each other.
Contemporary music is often ambiguous and difficult like a riddle, but many composers try to express musical ideas and intentions through musical scores or interviews. I think these features can be an invigorating factor in the study of Contemporary music. In response to this, contemporary performers and researchers should actively conduct research. I hope that this study will serve as the foundation for the development of modern music.
목차
1. 서 론
2. 작곡가 진은숙의 생애와 창작 경향
3. 에튀드의 개념과 시대적 의미
4. 《12개 피아노 에튀드》작품 분석과 연주를 위한 제안
5. 결 론
참고문헌
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