스기모토 타카시의 디자인에 나타나는 흔적의 의미에 관한 연구

• 영문명: A Study on the Meaning of Trace in Sugimoto Takashi’s Design
• 발행기관: 한국가구학회
• 저자명: 서정연(Jeong Yeon Suh)
• 간행물 정보: 『한국가구학회지』제26권 제1호, 51~60쪽, 전체 10쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2015.01.30

영문 초록

Interior designer Sugimoto Takashi uses salvaged material and natural thing for aes-thetical purpose. These material performs not just as fun stuff but as design tool in order to set up cultural meaning which modern society always lacks for. The method of communicating the meaning is the multi-layered trace on them. There are three types of trace. They are harsh tex-ture of surface, untrimmed outline, and gathering & arrangement. Through these formation methods of trace, Sugimoto can suggest various curtural meanings such as vanishing value of old-fashioned lifestyle, primitive energy of nature, and sincere touch of somebody. As a result, the trace in Sugimoto’s design is an endeavor to exist tradition(the long ago) and nature(the far away) in here-and-now interior space.

목차

Ⅰ. 서론

Ⅱ. 흔적에 대한 이론적 고찰

Ⅲ. 흔적의 형식

Ⅳ. 흔적의 의미

Ⅴ. 결론

참고문헌

키워드

Sugimoto Takashi trace cultural meaning nature salvaged material