- 영문명
- Reality on the Discourse of Fiction Formed by the Records Culture: Focusing on “the Symposium Sponsored by Shincho” and “the Symposium Sponsored by Choseonmundan”
- 발행기관
- 일본어문학회
- 저자명
- 조헌구(Cho, Hun-Goo)
- 간행물 정보
- 『일본어문학』日本語文學 第95輯, 283~299쪽, 전체 17쪽
- 주제분류
- 어문학 > 일본어와문학
- 파일형태
- 발행일자
- 2021.11.30

국문 초록
この研究は韓国と日本で新しい小説方法論の探求が起きた1920年代を中心に、既成文壇と新進作家グループでの談論が実証的に集積された「合評会」という記録形式に注目する。そして、この「合評会」を小説方法論の談論トポス(topos)として規定し、その特質を明らかにしようと試みた。方法的には「合評会」という文字化されたテクスト記録から「誰が記録しているのか」に注目し、3人称と1人称の問題を「事実」と「フィクション」の混在として置換することで、1920年代の韓国と日本の「小説方法論に対するパラダイムシフト」を考察した。その結果、日本の近代小説は「ありのままに描く」の矛盾を目の当たりにすることで、実況中継者としての語り手の「事実」が構築できた。そして、韓国の近代小説は現実の世界からフィクションの世界を眺められる小説家の認識を基に「フィクション」を軸にする「事実」の小説方法が構築された。
영문 초록
This study focuses on the 1920s, when the exploration of new novel methodologies took place in Korea and Japan. And the record format of “the symposium” in which discourses exchanged between established literary circles and groups of emerging artists were integrated, was considered. In addition, this joint review was defined as the discourse of “topos” of the novel methodology and attempted to clarify its characteristics. First of all, the researcher started with the question of ‘who is recording’ that a written text record, “the symposium”. And then, the problem of the third person and the first person was replaced in terms of a mixture of ‘fact’ and ‘fiction’, and the ‘paradigm shift of novel’s methodology’ between Korea and Japan in the 1920s was considered. As a result, Japanese modern novels confirmed the impossibility of ‘translating reality as it is’ and was able to establish a viewpoint as a live broadcaster. On the other hand, modern Korean novels have established a novel method that gives the ‘fact’ nature of ‘fiction’ based on the novelist’s perception of looking at the fiction world in the real world.
목차
1. 들어가며
2. 근대 소설의 방법적 담론과 「합평회」라는 토포스
3. 「합평회」라는 담론의 토포스로부터- 「신조합평회」와 「조선문단합평회」의 시작과 경과
4. 「합평회」라는 토포스, 어떻게 전달할까의 문제 - 표상된 기록자와 독자의 거리
5. 나가며
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