국문 초록
وجدنا أنه في مستوى خطاب النقد العربي كانت المعالجات النقدية - في طابعها العام - إمّا قاصرة في ذاتها ،أي أنّها لم تبن على أسس سليمة علمية أو فنيّة وإمّا جزئية، أي محصورة في معالجة وقائع التعارض بمستوى نمط شعري معين أو بمستوى شاعر معين أو بما هو أقلّ من ذلك. مع أنّ بعضها لا يفسّر الواقعة الملاحظة بقدر ما يملي عليها تصوّره النقدي، وهنالك فرق شاسع بين أن نعرض الواقع وأن نعرض طموحنا في ما ينبغي أن يكون عليه الواقع.
أمّا في مستوى الخطاب الشعري- وكما وجدنا في الجزء الأول من الدراسة- فإنّ التعارض في الوقف مثل سمة جوهرية من سمات الخطاب الشعري العربي، وهي سمة تطورت مع تطوره على المسار الزمني والفني.
영문 초록
This research paper consists of an introduction, a preface, an outline of the modern and old Arabic discourse criticism as well as modern foreign criticism and a conclusion. The introduction presented the aim of the research and the significance of the topic and its importance in the modern critical studies compared with previous studies in the discipline. The preface reviewed the research methodology used in the analysis and inference. In the analysis, the research paper showed that the old Arabic criticism concerned with the external inclusion of poetic line and it was not considered or proved as an aesthetic.
The modern Arabic criticism came influenced by modern international criticism. However, this contraction didn’t include contraction that is achieved by verbosity level i.e. the internal structure of poetic line, then it was lost in the justifications that make contradiction deserves that.
The aim of the research paper is to present the shortcomings of previous studies.
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