근대초기 드라마의 외연확장: 『에드워드 2세』의 영화각색과 전유 *

• 발행기관: 한국영미어문학회
• 저자명: 조재희(Jaehee Cho)
• 간행물 정보: 『영미어문학』영미어문학 제133호, 85~115쪽, 전체 31쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2019.06.30

영문 초록

The aim of this paper is first to investigate historical presumptions of same-sex desire by critics, defining the love of Edward and Gaveston as homosexuality, even if the concept did not exist in early modern. Then, Edward’s subject might be explained as the line of flight which is part of the rhizome turning to Deleuze and Guattari. Third, Derek Jarman’s 〈Edward II〉 movie which Marlowe’s Edward II, a Jacobean play characterizing radical and subverted elements was filmed, will be explored from Jarman’s homosexuality view. Jarman represented Edward and Gaveston’s love and its oppression through the eyes of the present, and audience can notice Jarman’s queer contemporary Jacobean aesthetic in 〈Edward II〉. Furthermore Edward III’s sexual identity will be probed through transgressive cross-dressing and his consumption of his uncle’s blood can be interpreted as multiple crystalline facets by Deleuze, that is, to crystallize the potentiality and gestures towards a queer afterlife encoded in the present. Through these process mentioned, it will be concluded that Marlowe’s Jacobean characteristics will be extended from early modern to today, opening a new thought horizon.

키워드

Jacobean Edward II Jarman rhizome homosexuality crystal