개인의 자유와 사회적 규범: 루카스 네이스의 『인형의 집, 파트 2』와 입센 다시 읽기

• 발행기관: 한국영미어문학회
• 저자명: 정선아(Chung Suna) 박희본(Heebon Park)
• 간행물 정보: 『영미어문학』영미어문학 제133호, 63~84쪽, 전체 22쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2019.06.30

영문 초록

This paper examines Lucas Hnath’s stage play, A Doll’s House, Part 2 (2017), a stimulating sequel to Henrik Ibsen s classic, A Doll’s House (1879), focusing on the adaptation process/product and the effect of the sequel’s (re)creative rereading of the precursor text. The crucial issues on the conflicts between individual choices and social norms, particularly on the women’s position and constrained freedom in a dominantly patriarchal society, are famously identified in Ibsen’s play. In the spirit of Ibsen, but by adding his own unique comic elements in a series of staged debates, Hnath effectively updates the original social drama for contemporary audience, drawing attention to what has changed over time in society and what has still yet to change in present-day society. The study traces some of the earlier adaptations to Ibsen s provocative work, before looking into Hnath’s adaptive intention and his resulting reinterpretation of the informing text. While discussing the continuity and discontinuity between the two plays, it is argued that A Doll’s House, Part 2 is significant for its giving voice and stage time to previously marginalized characters (Anne Marie and Emmy), inviting us to rethink and reread the classic text from a different, new perspective.

목차

1. 들어가며

2. 『인형의 집』 주요 각색과 네이스 극의 차별성

3. 입센에서 네이스로: 연속성과 비연속성

4. 나가며

키워드

A Doll’s House Part 2 Lucas Hnath Ibsen freedom marginalized voice social norms adaptation