- 영문명
- Marginal Tendency of the Yuko Tsushima and Hangan Literature
- 발행기관
- 일본어문학회
- 저자명
- 明惠英(Myung Hyae-Yung)
- 간행물 정보
- 『일본어문학』日本語文學 第82輯, 299~318쪽, 전체 20쪽
- 주제분류
- 어문학 > 일본어와문학
- 파일형태
- 발행일자
- 2018.08.30

국문 초록
日本の作家女性津島佑子の小説笑うオオカミと韓国の女性作家ハンガンの小説菜食主義者は、従来の中心(=理性)/周縁(=感情)という二項対立的な視線を緩和するための戦略として、生物のマージナル(marginal)性を浮
き彫りにしている。それによって感知された周縁部(コレラ帰国船、在朝鮮人帰郷船)の状況は、「撹乱」と「非決定性」に満ちた、自然性に富んでいることが受け取れる。人間の自然性の回復の媒介者である芸術家は死ぬか消える
が、みつおの“山は神を連想させる”つぶやきと木の光を見つめるインヘの鋭い目つきから、相互主体性の回復は続くであろう事実と、人間の自然性の回復を媒介するアーティストの復帰を希望する思いが読み取れる。人間中心の
矛盾から自然性の回復を図った二つの小説は、自我の本質を悟り、相互主体性を回復しなければ、現代社会の自然破壊と女性抑圧などに関連する多くの 問題を解決することができないことを強いメッセージで物語っている。
영문 초록
Two novels, “Smile wolf” and “vegetarian”, highlight the marginal nature of the organism as a strategy to alleviate the dichotomous view of the existing center(=reason) / periphery(=emotion). As a result, the situation
of peripheries(Cholera Return Line, Korean Return Line) perceived to be full of naturalness with ‘disturbance’ and ‘uncertainty’. Artists who are the mediators of human natural restoration die or disappeared but After
seeing the sight of Mitsuo’s “The peaks of the Central Alps appear like a chunk of light”, I think it seems to be an answer to everything in this world. “Why do these mountains remind us of the word ‘GOD’? through
the whisper like “The right answer to why I am living …” and the sharp eyes staring at the “Green Green Burning Tree”, I can verify the fact that it will not stop until it restores self-identity and the return of an artist
who mediating the restoration of human nature, hopefully. Two novels aimed at natural recovery in human-centered contradiction, are Forward the strong message that we can solve many problems related to the
natural destruction of modern society and women’s oppression by realizing the essence of self and restoring self-identity.
목차
1. 들어가며
2. 마지널한 의미장
3. 표상되는 마지널 여성
4. ‘교란’이라는 전략
5. 동․식물의 마지널성
6. 나오며
해당간행물 수록 논문
참고문헌
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