- 영문명
- Rereading Oedipus the King and Oedipus at Colonus as a Myth of Tragic Hero: Using Lacan’s Theory of Subjectivity
- 발행기관
- 한국영미어문학회
- 저자명
- 이선정(Seonjung Lee)
- 간행물 정보
- 『영미어문학』영미어문학 제126호, 83~105쪽, 전체 23쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2017.09.30

국문 초록
영문 초록
Unlike previous works, which follow Homeric tradition of tragic heroes, in Oedipus at Colonus , a sequel to Oedipus the King , Sophocles seeks to establish a new vision of the tragic hero. Freud’s reading of the myth of Oedipus, largely based on Oedipus the King , despite his great contribution to the study of human psychology, fails to gain insight into a tragic hero, which the playwright tries to embody in the play. Jacques Lacan, on the other hand, reads Sophocles’ Oedipus plays not so much to confirm his psychoanalytic theory as Freud does as to show how Oedipus’ downfall turns him into ‘a sublime subject’ that psychoanalytic practices ultimately aim for. In his reading, Lacan uses two strategies: he first applies paternal metaphor, a modified Oedipal structure that has linguistic and social implications, to the plays, and second, gives deeper significance to the ending of Oedipus at Colonus, interpreting Oedipus’ death in Zeus’ sacred precinct as an experience of encountering the real. This study, on the assumption that Lacan’s concepts of sublime subject lead to Sophocles’ final vision of the tragic hero, attempts to demonstrate how these Oedipus tragedies can be read as exemplary texts on ‘the heroic subject of psychoanalysis.’
목차
1. 들어가며
2. ‘아버지의 이름’의 기표: 신탁
3. 상징계에서 실재계로 : 정신분석의 영웅적 주체로
4. 나가며
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