아랍 신고전주의의 모더니즘 연구 - 전통과 모더니티를 중심으로 -

• 발행기관: 한국아랍어아랍문학회
• 저자명: 임병필(Lim Byung Pil)
• 간행물 정보: 『아랍어와 아랍문학』12집 2호, 121~145쪽, 전체 25쪽
• 주제분류: 인문학 > 언어학
• 파일형태: PDF
• 발행일자: 2008.10.30

영문 초록

In the second part of the nineteenth century, signs of the poetic revival were appeared most notably in the work of the Egyptian Maḥmūd Sāmī al-Bārūdī who was described as the true precursor of this revival. And his works are marked by a conscious return to the classicism of early medieval poetry, especially that of the Abbasid period(750-1258). And after Bārūdī, Neo-classical poets were the Egyptians Aḥmad Shawqī and Ḥāfiẓ Ibrāhīm, the Iraqis Jamīl Ṣidqī al-Zahāwī, Ma‘rūf al-Rusāfī and Muḥammad Mahdi al-Jawāhirī, and some of the Syrians and Lebanese. The Neo-classical poets accepted as their norm the old Arabic ode, Qasidah, with its monorhyme and monometer, its heavy reliance upon rhetoric and declamation, and the sonority of its music. But the Qasidah was not simply regarded as a sacrosanct ideal by the Neo-classicists, but was actually made to accommodate the modern poet's political, social, and indeed psychological needs.

키워드

Arab Neo-classical tradition modernity modernism Bā rū dī Ḥ ā fiẓ Ibrā hī m Aḥ mad Shawqī d Iraqis poets sham's poets 아랍 신고전주의 전통 모더니티 모더니즘 바루디 하피드 이브라힘 아흐마드 샤우끼 이라크 시인들 샴 시인들