아쿠타가와 류노스케의 『추산도(秋山図)』

• 발행기관: 일본어문학회
• 저자명: 노영숙
• 간행물 정보: 『일본어문학』日本語文學 第60輯, 289~308쪽, 전체 19쪽
• 주제분류: 어문학 > 일본어와문학
• 파일형태: PDF
• 발행일자: 2013.02.28

영문 초록

Shoo Zan Zu(秋山図, The painting of fall mountain) written by Akutakawa Rhyeunoske is a story in which two descendant masters talk about authenticity of 「Shoo Zan Zu」- a painting of Hwang Ilbong(黄一峰) in China. The dialogues of these two masters ends up in a scene of laughter with the conclusion that whether the painting actually exists or not does not matter as long as it remains in mind. This means that the abolute aesthetics which the artist pursues is a kind of spiritual value rather than any form of substance. In particular, the last scene depicting those two masters chatting with fall mountains in the background is a kind of Kanzanzitoku(寒山拾得). Revealed is an enchanted scene, showing that they reach the state of vimutti(=free from the secular world). It is the result of matching up with

in complete harmony. Thus, the absolute aesthetics the author is pursuing in his story is not the painting, but rather the enchanted scene of Kanzanzitoku by utilizing painting techniques.

목차

Abstract

1. 머리말

2. 『추산도』의 절대미

3. 『추산도』의 구성

4. 『추산도』와 '한산습득(寒山拾得)'

5. 『추산도』의 회화적 기법

6. 결론

참고문헌

키워드

추산도 절대미 한산습득 선경 내용과 형식 회화적 기법 Shoo Zan Zu abolute aesthetics Kanzanzitoku vimutti contents and form painting techniques