- 영문명
- Dynamics of the Free Love, Culture Capital and Reformation of Korean Modern Gender -Focusing on Jaesaeng by Lee Kwang-su
- 발행기관
- 한국언어문학회
- 저자명
- 윤영옥(Yun, Young-ok)
- 간행물 정보
- 『한국언어문학』韓國言語文學 第88輯, 225~248쪽, 전체 23쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2014.03.30

국문 초록
영문 초록
Free love was the cultural symbol of Korean modern intellectual class. Literary representations of free love had relation with power functions which adjusted public images of intellectuals. By cultural tastes, modern fictions described the process that free love in individual privacy had entered into marriage in public space. And cultural tastes were featured through mutual accumulations of economic capital, social capital, symbolic capital.
'Free love-marriage' plots of modern fictions including Jaesaeng were involved in interactions among men intellectuals' capitals and women intellectuals' that. Specially 'free love-marriage' plots were unveiled inflection process of women gender. At Jaesaeng, women intellectuals and men intellectuals met by similar culture tastes. The cultural capitals of women intellectuals were isolated and could not be expanded reproduction. But the cultural capitals of men intellectuals which combined with economic and social, symbolic capitals reproduced and spread. These representations of free love with capitals accentuated mens' supremacy and aggravated women's social inequality.
'Free love-marriage' plots coordinated hierarchy of gender symbols through reconstitution on daily life. Because women intellectuals had no economic capital and social capital, they could not take part in the public social system and were exposed to symbolic violence which damaged their social reputations.
목차
1. 서론: 자유연애-결혼과 한국 근대소설
2. 자유연애, 문화자본, 구별짓기
3. 여성의 성적 자기결정권과 문화자본
4. 지식인 여성과 불임의 문화자본
5. 남성들의 문화자본과 젠더 역학
6. 결론: 문화자본과 젠더 재형성
<참고문헌>
[Abstract]
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