소포클레스의 『안티고네』에 나타난 도덕 개념과 법적 정의

• 발행기관: 한국영미어문학회
• 저자명: 홍은숙(Eun-Sook Hong)
• 간행물 정보: 『영미어문학』영미어문학 제106호, 35~52쪽, 전체 18쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2013.03.31

영문 초록

This paper sheds light on the changes of both the moral concepts and the representation forms resulting from the rise of the new social system. These changes are embodied in and are partially constitutive of the narratives of Greek Tragedy. Therefore, it is needed to understand the different moral concepts in an extension of tragic agon. The different moral concepts between Homeric unified society and the early total society coexist in Sophocles’ Antigone. Creon’s man-made law and Antigone’s eternal laws are discussed in relation to the crime of hubris. Their antinomic moral concepts compete for justice. That's why Tragedy is to be invited to the arena of philosophical judgement. By keeping track of the tragic in the matter of law, the Antigone drives the characters to the abyss of beings. It is true that the tragic archetype and the problematic law are combined with aesthetic manners in the Antigone. As neither of the characters substantially recognizes the ideas of the other, it is not possible to have a recognition for commonality. The Antigone, however, tries to get over conflicting moral concepts with the process of Freud’s Totem and Taboo. Although the rise of the new socio-cultural backgrounds causes moral concepts and representation forms to be changed, the imagination of the representation in turn reflects the presentation of human experience. The third moral concept imagined in the Antigone leads to a new discourse topography on legal justice.

목차

Abstract

1. 들어가는 글

2. 공동체의 판단과 이념적 경쟁

3. 『안티고네』에 제시된 세 가지 도덕개념

4. 나오는 글

인용문헌

키워드

도덕개념 법적 정의 『안티고네』 철학적 판단 휘브리스 Antigone Hubris Legal Justice Moral Concept Philosophical Judgement