오규원의 ‘날이미지시’에 나타난 사진적 특성

• 영문명: Analysis on Photographic Features Expressed in the ‘Raw Image Poetry’ of Oh Kyu-won -Focusing on 『La Chambre Claire』 of Roland Barthes-
• 발행기관: 한국언어문학회
• 저자명: 김혜원(Kim, Hye-won)
• 간행물 정보: 『한국언어문학』韓國言語文學 第83輯, 305~330쪽, 전체 26쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2012.12.31

영문 초록

This report is aimed at analyzing the photographic features expressed in the ‘Raw Image Poetry’ poetics and the poetry of Oh Kyu-won by means of 『La Chambre Claire』 of Roland Barthes. To begin with, I investigated the photographic features expressed in the ‘Raw Image Poetry’ poetics, using the notion of Barthes. I compared the ‘Raw Image Poetry’, which tried to express ‘as it is’ as if alive, with the reality of photography. In addition, I checked on that the ideal of the ‘Raw Image Poetry’, composed of metonymy of combination and access by virtue of proximity, and the ideal of the photography lied in the equality. And then I analysed the photographic features, expressed in the ‘Raw Image Poetry’, of his individual poems specifically. First, I noticed the poems of which themes were noème in particular, investigating his poems which presented the noème as the proof of presence and the proof of absence Barthes had said. Second, I analysed the poems which expressed the immobilization of time Barthes had said, referring to the temporality as the ground of existence. Third, I investigated the poems which was using the metonymy which was oriented to the principle of proximity, referring to the spaciality as the ground of existence. Fourth, I analysed the ‘Raw Image Poetry’ which was describing the objects vividly i.e. ‘as it is’ and proved that it was the very photographic image. Fifth, I analysed the poems provoked the poetic tension sharp and shocking after punctum was revealed, referring to the ‘punctum’ as a hurt. Consequently I identified that Oh Kyu-won, who had struggled with the ideated language at the time of shift from metaphor in his early poems into metonymy in his late poems, had the final result of ‘Raw Image Poetry’ through the struggle, and that’s the most transparent photographic image.

목차

1. 서론

2.‘날이미지시’ 시론에 나타난 사진적 특성

3.‘날이미지시’에 나타난 사진적 특성

4. 결론

〈참고문헌〉

[Abstract]

키워드

오규원 ‘날이미지시’ 사진적 특성 롤랑 바르트 『카메라 루시다』 은유 환유 사실성 평등성 노에마 시간성 공간성 ‘날이미지’ 푼크툼 사진 이미지 Oh Gyu-won ‘Raw Image Poetry’ photographic features Roland Barthes 『La Chambre Claire』 metaphor metonymy reality equality noè me temporality spaciality ‘Raw Image’ punctum photographic image