판소리의 근대적 재생산에 관한 연구

• 영문명: Study on Modern Reproduction of Pansory
• 발행기관: 한국언어문학회
• 저자명: 백은철(Baek, Eun-chul)
• 간행물 정보: 『한국언어문학』韓國言語文學 第81輯, 193~222쪽, 전체 30쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2012.06.30

영문 초록

Pansori is generally defined a genre of Korean traditional performance which is a vocal and percussional music performed by one changja(a singer), singing stories consisted of certain alternation of aniris and changs with a folding fan held in one hand, and one gosu(a drummer), giving rhythm and beats. Past studies on pansori was conducted based on this definition. Not only studies on the early stage of an editorial but researches on music or play have been continued on this understanding. However, this paper points out that pansori in terms of ‘cultural formation’ is reflected by certain power, desire proposed ‘the specific means or expressions of life’ from a cultural standpoint besides it cannot help but be reproduced by these power, desire. Furthermore this paper examines how pansori was being reproduced during Japanese colonial space where the conflict among the power, desire were become increasingly acute. This is believed that pansori was reproduced in the colonial space that the primary agents of power descibed as strife between feudal society of the Joseon Dynasty and indigenous capital and colonial government and Japanese capital lead to a modern course of agencement. The modern course of agencement led by four primary agents, pansori is commercialized and female changjas show up over all. In this aspect as well pansori has an inclination of the nationalism.

목차

1. 서언

2. 판소리에서 재생산의 문제

3. 착종된 근대 문화공간의 지형

4. 근대 ‘판소리 문화’ 재생산의 세 계열

5. 결언

〈참고문헌〉

[Abstract]

키워드

판소리 근대 식민지 문화 구성체 배치 재생산 Pansori modern colonial cultural formation agencement reproduction