연암의 광문전승에 나타난 서사구조와 지향의식

• 영문명: Epic Structure and Orientation Shown in Gwangmun-jeonseung(廣文傳承) of Yeonam(燕巖)
• 발행기관: 한국언어문학회
• 저자명: 강현모(Kang, Hyen-mo)
• 간행물 정보: 『한국언어문학』韓國言語文學 第81輯, 137~157쪽, 전체 21쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2012.06.30

영문 초록

This article reviewed the epic structure and orientation shown in Gwangmun-jeonseung of Yeonam. To understand the intention of Yeonam properly, this article reviewed 〈Gwangmunjeon(廣文者傳)〉 and 〈Seogwang-munjeonhu(書廣文傳後)〉 together. Gwangmun-jeonseung of Yeonam is composed of 6paragraphs in 〈Gwangmunjeon〉 and 2paragraphs in 〈Seogwangmunjeonhu〉, and those paragraphs are divided into approximately 5sub paragraphs respectively. Each sub paragraph makes small square structure and enforces the meaning through the development and the repetition. When Gwangmun-jeonseung is reviewed from the perspective of the episodes, it has similar epic structure. It has 9episodes, 7 of which in 〈Seogwang-munjeonhu〉 have the characteristics of the introduction. The first and the second episode are introduction, showing Gwangmun as Paedu and local people’s lives respectively. Episode 3-6 shows Gwangmun who gets fame with his artistic quality even though he is a beggar. In the 8th episode, he leaves Seoul enjoying the fame but he is destroyed. The 9th episode is the conclusion of Gwangmun-jeonseung. It shows Gwangmun who disappears because he realizes that the current life is vain. The epic structure of Gwangmun-jeonseung has 3 square structures. The biggest square structure shows Paedu of Geola, the middle structure shows the life of ordinary people, and the smallest one shows the ‘not found.’ The orientation of Gwangmun-jeonseung is downsize oriented consciousness that has been shown in other works of Yeonam.

목차

1. 서론

2. 광문전승의 서사구조와 의미

3. 광문전승의 축소지향의식

4. 결론

〈참고문헌〉

[Abstract]

키워드

광문전승 서사구조 광문자전 서광문전후 축소지향의식 사각구조도 Gwangmun-jeonseung epic structure Gwangmunjeon Seogwangmunjeonhu downsize oriented consciousness square structures