〈앵로부(鶯鷺賦)〉의 작가 의식과 우언적 형상화

• 영문명: The sense of author and allegorical embodiment in 〈Aengrobu(鶯鷺賦)〉
• 발행기관: 한국언어문학회
• 저자명: 구사회(Gu, sa-whae)
• 간행물 정보: 『한국언어문학』韓國言語文學 第79輯, 93~112쪽, 전체 20쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2011.11.20

영문 초록

Thus far, 〈Aengrobu〉 which is the only work in the style of Bu(賦) of Seokjeong Lee Jeong-Jik who acted in the period of patriotism and enlightenment. 〈Aengrobu〉 was an allegorical embodiment of the issue of ‘out and place’ by Seokjeong with the application of his theory of paleography. Seokjeong considered Bu(賦) as one of sentences and respected old Bu(古賦). 〈Aengrobu〉 corresponds to it and Seokjeong’s sense of paleography is embodied in it. Seokjeong applied his viewpoint of paleography to the style Bu(賦) because it had its own characteristics. Based on his theory of paleography, Seokjeong embodied his argument using three animals-the nightingale, the white heron and the phoenix-in 〈Aengrobu〉 in an allegorical style. Here, through the allegorical style frequently used in Bu, Seokjeong could embody his argument more effectively. These three animals emphasize and argue the life they pursue and its value. At first, the nightingale and the white heron are in confrontation with each and then submit to the argument of the phoenix that appears later. In the work, the nightingale is an allegorical being that represents the world of ‘out(出)’ filled with vanity and the white heron is an allegorical being that represents the world of ‘place(處)’ that does not communicate with reality. The phoenix is a being that realizes the true meaning and value of ‘out and place(出處)’. Here, the world pursued by the author Seokjeong is embodied through the phoenix.

목차

Ⅰ. 머리말

Ⅱ. 〈앵로부〉와 석정의 작가 의식

Ⅲ. 〈앵로부〉와 ‘出處’의 우언적 형상화

Ⅳ. 맺음말

〈참고문헌〉

[Abstract]

키워드

석정 이정직 고문 의식 당송고문 고부 우언 양식 출처 중화 Seokjeong Lee Jeong-Jik the thoughts of a classical sentence old Bu the allegorical style out and place eqability 古賦 出處 中和