成道轉法輪圖像의 圖像的 淵源에 대한 硏究

• 영문명: The Origin and Development of “Iconography on Preaching of Enlightenment”
• 발행기관: 백산학회
• 저자명: 김현정(Kim, Hyon-Jong)
• 간행물 정보: 『백산학보』第71號, 233~280쪽, 전체 48쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2005.04.01

영문 초록

If Sakyamuni’s lessons were to expanded as a continuous process, the boundaries of his preaching becomes very broad and would include many intangible preaching and achievements throughout his enlightenment to nirvana. Among them, the most monumental iconography is the event of his enlightenment at Buddhagaya which was his very first preaching after his declaration as the Buddha. Especially for those pieces regarding his preaching, many of them overlapped with each other, making it difficult to distinguish one from another; thus, the painting of “Preaching of Enlightenment” has not been considered as a significant branch of “Iconography of Sakyamuni’s Enlightenment” throughout the academic history. Despite the consensus, this paper categorizes “Preaching of Enlightenment” as a part of “Iconography of Sakyamuni’s Enlightenment” and identifies its iconographical origins and characteristics. Among numerous sutras by Sakyamuni, the “Avatamska Sutra” is considered as one of a few Mahayana classics, but it has differences in its format and structure when compared to other classics, such as the “Sutra of the Lotus” and the “Praina Sutra”. While all other sutras take realistic approach with alignment towards the regular people, the “Avatamska Stura”aims itself at the entire universe, making it difficult to be considered as realistic and typical verbal preaching. Therefore, “Avatamska Sutra”can be placed within the boundary of intangible preaching which previously has been mentioned. With this approach of defining all Sakyamuni’s preaching as either intangibleor tangible, the contents of the preaching are further analyzed from iconographical characteristic point-of-view. Furthermore, the event of Sakyamuni’s preaching to humans in request of Brahma-Deva is defined as “Iconography on Preaching of Enlightenment”, and the development and characteristics are further analyzed and defined as follow. Based on the literature, including numerous sutras, the origin of “Iconography on Preaching of Enlightenment” is stated as Sakyamuni’s enlightenment and the event of “Turning the Wheel of Law” at Buddhagaya. The event at that place takes place for 21 days in a battle with evil followed by the enlightenment and preaching. This three separate steps of the event cause more complexity in the characteristics of the iconography as a whole. Also, when these contents are put into iconographical representation, Sakyamuni is portrayed as an initial point along with Brahma and Brahma-Deva. It has been confirmed that, until early 6th century, “Iconography on Preaching of Enlightenment” had been in an independent format of Sakyamuni being the initial and central point of the portrait; however, the later trend of Mahayana sutra has significantly influenced the iconographical characteristics, resulting in much of its contents being absorbed and scattered throughout different and/or adjacent iconographies At a similar point of time, Sakyamuni’s preaching of “Mudra of the Touching the Ground”, which has characteristics of “Iconography on Preaching of Enlightenment”, has also transformed and placed itself towards the popular “Avatamska Sutra”, providing a bigger foundation and structure for the iconographical preaching of enlightenment by Sakyamuni.

목차

Ⅰ. 머리말

Ⅱ. 成道轉法輪像의 개념

Ⅲ. 成道轉法輪 圖像의 특징

Ⅳ. 成道轉法輪圖像의 展開

Ⅴ. 맺음말

[Abstract]

키워드

성도전법륜 석가여래설법도 시무외인 보리수 범천권청 Iconograghy of Sakyamuni' enlightenment Boddhi tree Mudra which grants the absence of fear Indra