문학과 초기 영화의 상호작용

• 영문명: Productive Interaction between Literature and Early Film
• 발행기관: 한양대학교 수행인문학연구소
• 저자명: 이상면(Lee Sang-Myon)
• 간행물 정보: 『수행인문학』수행인문학 제38집 제1호, 37~60쪽, 전체 24쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2008.05.30

영문 초록

This thesis examines the interactive relation between literature and film mainly in the period of silent movies of Europe in 1908-1932. Early film’s lack of specific languages led to a need for narrative styles and ‘good’ texts from literary works. From 1908 to the mid 1910’s appeared the so-called ’literary films’ based on well-known literary works of the 19th century, with their scenarios written by famous authors. From the mid twenties modernist authors tried ‘filmic writing’ applying filmic techniques to their works such as montage, close-up, flashback, variable point of view and multi-perspective. Among these works are John Dos Passes’ novel Manhattan Transfer (1925), Alfred Döoblin’s novel Berlin Alexanderplatz (1929), and many others. It is the main purpose of the thesis to analyse such ‘productive interactions’ between both media in the first phase of their relationship in cultural history.

목차

Ⅰ. 문제 제기 - 초기 영화와 문학의 생산적 관계

Ⅱ. 문학 영화

Ⅲ. 영화미학의 영향

Ⅳ. 결어 - 문자매체와 영상매체의 상호교류성

인용 문헌

Abstract

키워드

문학 영화 상호작용 몽타주 필름 다르 작가영화 literature film interaction montage film d’art Autorenfilm