Furniture Artist 최병훈에 관한 연구

• 영문명: A Study on Furniture Artist Choi Byung-Hoon
• 발행기관: 한국조형디자인학회
• 저자명: 안귀숙(Ahn Kui-Sook)
• 간행물 정보: 『조형디자인연구』한국공예논총 제11집 4권, 1~25쪽, 전체 25쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2008.12.30

영문 초록

Furniture artist Choi Byung-hoon, the third generation artist of the Korean contemporary crafts, is an important figure leading the field of art furniture. In his works, he has portrayed the Korean aesthetic sense based on functionalism. In his series of art furniture works 《After Image From the Beginning of the World》, he has used a modeling way of an extremely moderate Sun Buddhism(禪宗) and he selects a topic from the natural beauty in the beginning on an intellectualism point of view. Native rock is employed in his works as part of construction and it shows his fondness for naturalism and minimalism. What is more, he tries to actualize "Telesis", an organic modernism to be advanced in a way of intellectualism, and speaks to the eternity of time with his own art volition carrying an organic curb to flow without stopping at the very moment (劫 Ksana). Namely he adds new functions to the form of Dolmen, found intensely over the Korean peninsula, and crafts tables and benches. This art furniture provides the impression of a monumental sculpture as he uses native rocks organically transformed by the eternity of time or to be objected by such shape. He has presented his unique way of modeling to contrast between different properties of matters. As he contrasts the lightness of the woods and the gravity of the stone, a simple natural beauty of the granite and a neat softness of the marble, and a dark-black lacquer and a bright marble, the whole modeling becomes one and establishes a tight corresponding relationship. Even though, at first, the modeling objects seem to exhibit a contrasting idea of "art" and "design", they form one magnificent art when the contrasting properties of two directly-opposed materials unite. Initially he has realized warm and comprehensive Korean aesthetics to the New Orientalism rather than the Cold Orientalism, the Japan-centered art that the western world has shown interest since the 1970's. In this paper, I have focused on the accomplishments of Choi Byung-hoon's own modeling representation, to be symbolized by naturalism, plainness, mildness, and silence with obtaining the universal value. As analyzing his works in modeling, function, and the period of changing materials, I have tried to define his being as an artist in the history of crafts.

목차

Ⅰ. 머 리 말

Ⅱ. 물과 기능, 자연

Ⅲ. 적(寂); 고요한 명상

Ⅳ. 겁(劫) ; 억겁과 찰나

Ⅴ. 맺음말

￭ 참고문헌

키워드

Art Furniture Organic Modernism Telesis Kalpa New Orientalism