길과 그림자로 이어진 뻘의 상상력 - 함민복의 『말랑말랑한 힘』론

• 영문명: The Imagination of Foreshore Connected to Roads and Shadow - Centering on mallang mallang han him of Ham Minbok
• 발행기관: 한국언어문학회
• 저자명: 노용무(Noh Yongmoo)
• 간행물 정보: 『한국언어문학』韓國言語文學 第65輯, 369~394쪽, 전체 26쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2008.06.30

영문 초록

  This paper considers how capitalism, the poet"s main theme, continues and transforms in mallang mallang han, Ham Min-Bok"s fifth collection of poems. Thus, the imagination of foreshore is stressed in this paper. Foreshore is not only the imaginary signifiant in which the poet cogitates modernism and modernity, also the signified which means a kind of aesthetic alternative modernism or antimodernism. Therefore the motif of roads and shadow is outstanding in the middle of the poet"s thought.
  The image of roads is related to both unconsciousness and nature. In other words, the road as a medium of unconsciousness which forms the movement of sight from human beings" consciousness to the natural world, also the road of nature represented by clouds, trees, water, etc. The image of shadow functions as a medium which transmits a pity for peripheral subjects by considering the poetic device of darkness in which the poet distribute the emotion of longing effectively.
  The transmission toward roads and shadow should accompanies the emotion of longing for ultimate intension by necessity. The spacial movement from cities to roads and Kanghwa island is not only a kind of opportunity which could embrace the essence of shadow and natural roads, but also the place where the imagination of foreshore sets down.

목차

1. 서론
2. 길, 길 위의 다양한 삶과 그 궤적
3. 그림자, 존재의 이분법과 타자성
4. 뻘, 말랑말랑한 힘과 물컹한 말
5. 결론
참고문헌
[Abstract]

키워드

함민복 길 그림자 뻘 상상력 근대성 Ham Min-Bok roads shadow foreshore imagination modernity