- 영문명
- The Method leading to Lyrical Identity in Hyun-seung Kim"s Poems
- 발행기관
- 한국언어문학회
- 저자명
- 최승호(Choi Seungho)
- 간행물 정보
- 『한국언어문학』韓國言語文學 第65輯, 341~368쪽, 전체 28쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2008.06.30

국문 초록
영문 초록
In this treatise, I studied the method leading to lyrical identity in Hyun-seung Kim"s poems. I studied the method in relation with lyrical subject and object, the absolute God. According to relationship between the lyrical subject and the absolute God, the identity poetics and non-identity poetics can be divided.
In the primary period, he did not show disbelief in the absolute God. In this period, the lyrical subject showed harmonious relationship with the absolute God. The absolute God gave grace to the lyrical subject, and the lyrical subject gave trust to the absolute God.
In the middle period, the lyrical subject showed disbelief in the absolute God. He lost the model to mimic, and he fell in the absolute solitary. The severance between the lyrical subject and the absolute God brought non-identity among things. And it brought non-vitality among things.
In the last period, Hyun-seng Kim recovered his belief in the absolute God. The relationship between the lyrical subject and the absolute God was recovered. In this period, the absolute God in Hyun-seung Kim"s poems showed personality. The lyrical identity was sure and clear. The things in his poems were full of vitality.
In the primary period, he did not show disbelief in the absolute God. In this period, the lyrical subject showed harmonious relationship with the absolute God. The absolute God gave grace to the lyrical subject, and the lyrical subject gave trust to the absolute God.
In the middle period, the lyrical subject showed disbelief in the absolute God. He lost the model to mimic, and he fell in the absolute solitary. The severance between the lyrical subject and the absolute God brought non-identity among things. And it brought non-vitality among things.
In the last period, Hyun-seng Kim recovered his belief in the absolute God. The relationship between the lyrical subject and the absolute God was recovered. In this period, the absolute God in Hyun-seung Kim"s poems showed personality. The lyrical identity was sure and clear. The things in his poems were full of vitality.
목차
Ⅰ. 머리말
Ⅱ. 절대자에 대한 미메시스적 욕망
Ⅲ. 미메시스 대상으로서의 절대자 상실
Ⅳ. 절대자에 대한 미메시스의 실현
Ⅴ. 꼬리말
[Abstract]
Ⅱ. 절대자에 대한 미메시스적 욕망
Ⅲ. 미메시스 대상으로서의 절대자 상실
Ⅳ. 절대자에 대한 미메시스의 실현
Ⅴ. 꼬리말
[Abstract]
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