- 영문명
- A Study on Expression Technique of Stage Make-Up
- 발행기관
- 한국인체미용예술학회
- 저자명
- 한명숙(Han Myoung Sook)
- 간행물 정보
- 『한국인체미용예술학회지』한국인체예술학회지 제1권 제2호, 31~45쪽, 전체 15쪽
- 주제분류
- 예술체육 > 예술일반
- 파일형태
- 발행일자
- 2000.08.01
국문 초록
영문 초록
Shown at a stage play are as follows :
In facial make-up, the theme of impersonation is decided according to the character of the play. In making-up, the correlation between the characteristic of the character and physical appearance that contains phrenology related to the character must be considered. Colors and brightness that have various qualities and characteristics must be induced to the approach to the work of art naturally.
There are three different theatrical make-ups according to how to express a theatrical art. One is a General make-up skill that presents an image or a characteristic of an actor by considering the stage setting or role of the actor, sustaining a natural condition and quality of character"s skin or skeletal structure. Another is a Pictorial make-up skill that uses optical illusion with cosmetics such as foundation and lining color. The other is a Three-dimensional make-up that uses special materials to express clear-cut features. For instance, the General make-up is put on the fairy in classic ballet or "Heoseang" in "Heoseangjeon" -one of the oldest Korean play to show the artistic characteristics and the image that the character have on the stage. The make-up put on "Toto" in "The Wonderful Wizard of Oz" and the model at gorgeous fashion show is pictorial. For the real expression, Three-dimensional make-up, a formative make-up skill, is put on the "Senile god" and "Scalded god" to heighten the effect of the work.
In conclusion, a make-up designer have to apply theoretical aspect or technical aspect to show proper impersonations for the work after considering general circumstances of a theatrical art. In addition to this, compositional formation including stage setting, costume, prop, illumination and sound effect can lead to whole artistic world successfully.
In facial make-up, the theme of impersonation is decided according to the character of the play. In making-up, the correlation between the characteristic of the character and physical appearance that contains phrenology related to the character must be considered. Colors and brightness that have various qualities and characteristics must be induced to the approach to the work of art naturally.
There are three different theatrical make-ups according to how to express a theatrical art. One is a General make-up skill that presents an image or a characteristic of an actor by considering the stage setting or role of the actor, sustaining a natural condition and quality of character"s skin or skeletal structure. Another is a Pictorial make-up skill that uses optical illusion with cosmetics such as foundation and lining color. The other is a Three-dimensional make-up that uses special materials to express clear-cut features. For instance, the General make-up is put on the fairy in classic ballet or "Heoseang" in "Heoseangjeon" -one of the oldest Korean play to show the artistic characteristics and the image that the character have on the stage. The make-up put on "Toto" in "The Wonderful Wizard of Oz" and the model at gorgeous fashion show is pictorial. For the real expression, Three-dimensional make-up, a formative make-up skill, is put on the "Senile god" and "Scalded god" to heighten the effect of the work.
In conclusion, a make-up designer have to apply theoretical aspect or technical aspect to show proper impersonations for the work after considering general circumstances of a theatrical art. In addition to this, compositional formation including stage setting, costume, prop, illumination and sound effect can lead to whole artistic world successfully.
목차
ABSTRACT
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
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