Jacques Derrida의 해체와 인체에 표현된 해체 양식에 관한 조형 연구 - 2000～2002년까지 여성 컬렉션을 중심으로

• 영문명: Study of Forms Concerning Jacques Derrida"s Deconstruction and Deconstruction Style Expressed in the Human Body Women"s Collection in the 2000 to 2002
• 발행기관: 한국인체미용예술학회
• 저자명: 정임전(Joung Eim-Jen) 김희숙(Kim Hee-Sook)
• 간행물 정보: 『한국인체미용예술학회지』한국인체예술학회지 제3권 제3호, 71~90쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2002.12.01

영문 초록

  This study is on the form of Jacques Derrida"s dismantling and dismantling style expressed in the human body. French philosopher, Jacques Derrida said that the central thought of modernistic logos, that is, metaphysical philosophical tradition is the product of false ideology trying to make the social system of a certain age absolute, and deconstruction is the only way to re-interpret, filter out a variety of inheritage of enlightenment and newly construct culture.
  As conceptual features to explain his philosophy, we can illustrate "difference", "supplementation", "decomposition", "trace", "essence and absence", "mutual textualism" and whatever, whose concepts are not independently used, but closely linked with one another. These are revealed in all fields such as architecture, art, and fashion, and as a result of classifying deconstruction style as difference, sublimity, uncertainty, mutual textualism, discrimination of classes, taste and post-centralism, the deconstruction style revealed in the human body brought up with free and new types of formative beauty.

목차

ABSTRACT
Ⅰ. 서론
Ⅱ. 데리다 예술에서의 해체주의
Ⅲ. 인체에 표현된 해체주의 양식
Ⅳ. 결론
참고문헌