- 영문명
- A Study on the Korean-Japanese"s Poetry of Hanyang(『한양』) in the 1960s
- 발행기관
- 한국문학회
- 저자명
- 하상일(Ha Sang-Il)
- 간행물 정보
- 『한국문학논총』제47집, 201~227쪽, 전체 27쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2007.12.30
국문 초록
영문 초록
This thesis iintend to study the Korean-Japanese" s Poetry of Hanyang(『한양』) in the 1960s. Han-yang pronounced the critic spirit that requires the Korean literature to have clear awareness of the Korean history and reality by focusing on the relationship between literature and reality, grounded on the spirit of that time affected by the April Revolution. So, it advocated the engagement party consistently in the debate of purism and engagement and criticized the falsehood of purism and the deformity of the conservative literary theory acrimoniously.
Especially, It criticized the deceptive attitude of purism which was isolated from reality by showing the tendency of superior-mysticism and also criticized the writers in the 1960s, who fell to aloofness and averted their eyes from the historical reality, as they didn"t have a little sincerity and showed the absence of writer"s awareness. After all, the critical attitude against purism, which grasped it as an attitude of deception or as an attitude of corruption and silence, was made possible by the expectation to pursue the real meaning of the standing engagement to bring change and renovation to the Korean literature.
It arranged the present condition of the Korean-Japanese"s Poetry of Hanyang in the 1960s from 2 chapters. It tried to observe the subject ceremony of the Korean-Japanese"s Poetry of Hanyang(『한양』) in the l960s from 3 chapters. First, the origin yearning toward the sorrow and the fatherland of hometown loss was expressed. It professed the criticism participation with the history actuality of the second. It distinguished the nation true identity characteristic as the third, residing in the Korean-Japanese. Fourth, nature it led, the self-reflection which sand an inner will it put in and it put out.
Especially, It criticized the deceptive attitude of purism which was isolated from reality by showing the tendency of superior-mysticism and also criticized the writers in the 1960s, who fell to aloofness and averted their eyes from the historical reality, as they didn"t have a little sincerity and showed the absence of writer"s awareness. After all, the critical attitude against purism, which grasped it as an attitude of deception or as an attitude of corruption and silence, was made possible by the expectation to pursue the real meaning of the standing engagement to bring change and renovation to the Korean literature.
It arranged the present condition of the Korean-Japanese"s Poetry of Hanyang in the 1960s from 2 chapters. It tried to observe the subject ceremony of the Korean-Japanese"s Poetry of Hanyang(『한양』) in the l960s from 3 chapters. First, the origin yearning toward the sorrow and the fatherland of hometown loss was expressed. It professed the criticism participation with the history actuality of the second. It distinguished the nation true identity characteristic as the third, residing in the Korean-Japanese. Fourth, nature it led, the self-reflection which sand an inner will it put in and it put out.
목차
Ⅰ. 머리말
Ⅱ. 『한양』소재 재일 한인 시문학의 현황
Ⅲ. 『한양』소재 재일 한인 시문학의 주제의식
Ⅳ. 맺음말
참고문헌
〈Abstract〉
Ⅱ. 『한양』소재 재일 한인 시문학의 현황
Ⅲ. 『한양』소재 재일 한인 시문학의 주제의식
Ⅳ. 맺음말
참고문헌
〈Abstract〉
키워드
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