온달설화의 현대적 변용에 따른 작가 글쓰기 양상 고찰

• 영문명: A Consideration on Author"s Writing aspect by Modern Acculturation of On-dal tale
• 발행기관: 한국언어문학회
• 저자명: 최수웅(Choi Soowung)
• 간행물 정보: 『한국언어문학』韓國言語文學 第62輯, 489~509쪽, 전체 21쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2007.09.30

영문 초록

  ‘A tale’ is the longest concept and form of story. The story which has the letters and take the literary form among these stories, calls "the tale literature". The tale literature text didn"t implement its value as the work of art. However, it has the clear value because it germinated an author"s creative cognition. From such the aspect, the literature created by modifying the tale literature can be the text which clearly exposes the author"s creative will and writing.
  This study was focused on ‘On-dal tale’. The first tale literature which acculturated it is the Biographies in the “Samguk-sagi(三國史記)”. This book was published based on the Confucian value, expecially ‘Loyalty’.
  However, modern literature writers approached the tale from the different viewpoint. Their three aspects can be summarized as follows.
  Firstly, the writers get disillusioned at politics and tend to express it through fatalism. The poem of Do, Jong-hwan “On-dal” and the play of Choi, In-hun “Where is the place that we will again meet in being something?” are included in this aspect. On-dal in these works became a general but was not interested in a social success. But, he always leads the van. It is because he believes that it is his fate.
  Secondly, They tend to recognize the problem of reality through consciousness on femininity. The poem of Park, Ra-Yun “Princess Pyeonggang living in Seoul” and the novel of Kim, Ji-wun “Princess Pyungang and Idiot Eundal Story” are included in this aspect. These works had the female character "Princess". They cognize their femininity and express their emotion and desire clearly. Because of it, they have conflicts with real situation as well as a patriarchal system.
  Thirdly, the character recognizes the self-identify and finds out the new way of life through it. juvenile story of Lee, Hun-Ju “Idiot On-dal” and Musical of theatrical company Kan-da “Mirror Princess Pyeonggang Story” are included in it. These works contain characters who deliver the tale to readers, and mainly describe the process that these characters search their self-identity.
  Thus, in the modern literature, the acculturation of the tale literature does not accept the original text, but also show the modification of various forms according to the writer"s creative cognition. Such the acculturation is connected to the writer"s writing aspect. This part indicates the reason why the process of boosting the writer"s perception on reality and history is necessary in the writing education.

목차

1. 설화문학을 통한 글쓰기 양상 고찰의 가능성
2. 온달설화의 설화문학적 의미
3. 온달설화의 현대적 변용 양상
4. 결론 : 설화의 변용을 활용한 글쓰기의 가치
〈참고문헌〉
[Abstract]

키워드

설화 설화문학 설화의 문학적 변용 글쓰기 양상 정치에 대한 환멸 운명론 여성성의 자각 가부장제도 자아 정체성 A tale tale literature literary acculturation of tale writing aspect disillusionment with politics fatalism consciousness of femininity patriarchalism Self-identity