〈황산별곡〉의 작자 의도와 문예적 검토

• 영문명: Writer’s Intention and Literary Examination of 〈Hwangsanbyeolgok〉
• 발행기관: 한국언어문학회
• 저자명: 구사회(Gu Sawhae)
• 간행물 정보: 『한국언어문학』韓國言語文學 第59輯, 161~182쪽, 전체 22쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2006.12.01

영문 초록

  This study examined 〈Hwangsanbyeolgok〉, a Korean verse which I recently discovered. The background of this piece is the history of the Southern Party which the Father of King Gojong sponsored in the late 19th century, because 〈Hwangsanbyeolgok〉 seems to come from this historical process.
  〈Hwangsanbyeolgok〉 is a long Korean verse with 151 phrases and is a typical noble verse that follows the 3？4 and 4？4 formats. In linguistic perspective, it reflects the Korean language of the 19th century.
  In literary perspective, 〈Hwangsanbyeolgok〉 is mutually cross-related with Lee, Gwan Bin’s 〈Hwangnambyeolgok〉. 〈Hwangsanbyeolgok〉 used the existing 〈Hwangnambyeolgok〉 as its reference text and observed and altered it.
  In conclusion, 〈Hwangsanbyeolgok〉 is the Korean verse of Gugok-Style considering that it is singing the origin of truth using the mountains and waters of 〈Hwangsangugok〉. Its characteristic is that it specifically clarifies the truth and philosophies of China and the Orient to sing about the landscapes of 〈Hwangsangugok〉. Thus, this study understood 〈Hwangsanbyeolgok〉 as a Taoist verse that combined Dotong Style of Taoist background and Gugok Style which was popular after the mid-Joseon Dynasty.

목차

Ⅰ. 머리말
Ⅱ. 〈황산별곡〉의 작품 전문
Ⅲ. 〈황산별곡〉의 제작 배경과 작자 의도
Ⅳ. 〈황산별곡〉의 문예적 검토
Ⅴ. 문학사적 평가
Ⅵ. 맺음말
〈참고문헌〉
[Abstract]

키워드

〈미강별곡〉 〈황남별곡〉 미수 허목 기호남인 연사 윤희배 도학가사 〈무이구곡가〉 〈고산구곡가〉 상호텍스트성 〈MigangByeolgok〉 〈Hwangnambyeolgok〉 Misu HerMok the Southern Party Intertextuality 〈Gosagugokga〉 Yun-hibae Taoist verse