- 영문명
- A Study on the Influenc of a Dance-script in Creating Dance
- 발행기관
- 경희대학교 스포츠과학연구원
- 저자명
- 한경자(Han Kyung Ja)
- 간행물 정보
- 『체육학논문집』제19집, 149~155쪽, 전체 7쪽
- 주제분류
- 예술체육 > 체육
- 파일형태
- 발행일자
- 1991.12.01
국문 초록
영문 초록
To consider the influence of a dance-script on creation of dance, it will be helpful to make a comparison to that of a play on its performing.
In case of the drama, a play, formalized in letter with the constant and promised system, has almost absolute regulation over its theatrical performance in the point that the movements are directed and elaborated according to the literary rule in the form of language.
In case of the dance, the role of a dance-script cannot but be a kind of memordandum for choreography, because there should be a limitation in representing the meaning of the script through the quite abstract and symbolic motion of dance, whereas it is also expressed in letter as in the case of a play.
It can be said that ultimately even the promised system of letter cannot define or set any condition to motion, and likewise motion, in any case, cannot be furnished with a certain fixed system of meaning linked word for word.
By the above-mentioned reason, in defining the function of a dance-script as a correspondent to choreography or presentation, it can rather be a theme-provider or a guide to outline the range of a theme, and cannot enjoy so imperative a function toward creation and presentation of dance just as a play has the utmost regulation on the performance.
In case of the drama, a play, formalized in letter with the constant and promised system, has almost absolute regulation over its theatrical performance in the point that the movements are directed and elaborated according to the literary rule in the form of language.
In case of the dance, the role of a dance-script cannot but be a kind of memordandum for choreography, because there should be a limitation in representing the meaning of the script through the quite abstract and symbolic motion of dance, whereas it is also expressed in letter as in the case of a play.
It can be said that ultimately even the promised system of letter cannot define or set any condition to motion, and likewise motion, in any case, cannot be furnished with a certain fixed system of meaning linked word for word.
By the above-mentioned reason, in defining the function of a dance-script as a correspondent to choreography or presentation, it can rather be a theme-provider or a guide to outline the range of a theme, and cannot enjoy so imperative a function toward creation and presentation of dance just as a play has the utmost regulation on the performance.
목차
ABSTRACT
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
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