- 영문명
- A Study on the Community Spirit Presented in Shin Gyeong-rim"s Poems
- 발행기관
- 어문연구학회
- 저자명
- 양문규(Yang Moon Kyu)
- 간행물 정보
- 『어문연구』어문연구 제50집, 259~278쪽, 전체 20쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2006.04.01
국문 초록
영문 초록
This current study examined the community spirit presented in Shin Gyeong-rim"s poems divided into: first, the reality of the people and popular spirit, secondly,acceptance and change of traditional style, and thirdly, aesthetics of the path and internal reflection.
『Nongmu (Farmer"s Dance)』, his first collection of poems published in 1973, succeeded in "making previous modernism and realism poems objects of public scandal". In his poems, poetic formation by plain popular language is naturally concluded as poetic formation of community spirit. The reality of the people was revealed just as it was by "our emotion, our anger" and is actively reflected in his poems, which gain a persuasiveness and popular life force as a decisive confrontation of the spirit of the times.
Another remarkable thing in his poems is the acceptance and change of traditional style in the expression of his will to contain national form and popular contents. The creation of traditional style originates from the community spirit and can be found in Minyo (folk songs) and Gutsi (exorcism poems), for example, 『Saejae (high hil l)』,『Dalneomjae』, 『Namhan River』, etc. In particular, his long serial poem book 『Namhan River』 expands on this and shows a new style.
As the 1990s began, he started to "look at himself deeply" along with the path inside him. His attitude toward small and trivial things is derived from in-depth introspection on the internal formation of the community spirit he has pursued up to now. This attitude is reflected in his poems 『Path』, and 『Dream of the Collapsed Man』, etc. This kind of poetic behavior is considered to be a method for delving into community spirit more deeply and highly, rather than for his own comfort, which is apart from popular spirit. He presented this more naturally in 『Silhouette of Mother and Grandmother』, and 『Horn』, etc.
Shin Gyeong-rim is still actively creating poems in a very important position of modern poetry history. I wonder what kind of world will be introduced in his next brand-new poems after 『Shin Gyeong-rim"s Poem Collection』. This means his position is very significant. "What trace has he wanted to leave with great effort" until he gets here「Trace」(『Horn』). He has a uniqueness to his poetic world, which nobody can imitate. This is community poetics of belief in and love for people.
목차
1. 머리말
2. 민중현실과 민중의식
3. 전통 양식의 수용과 변용
4. 길의 미학과 내적 성찰
5. 맺음말
? 참고문헌
Abstract
2. 민중현실과 민중의식
3. 전통 양식의 수용과 변용
4. 길의 미학과 내적 성찰
5. 맺음말
? 참고문헌
Abstract
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