신소설에 나타난 이념과 풍속의 거리

• 영문명: The Study on a Distance between Modern Ideology and Public Morals in New Novels
• 발행기관: 한국언어문학회
• 저자명: 박혜경(Park Hyekyung)
• 간행물 정보: 『한국언어문학』한국언어문학 제55집, 375~397쪽, 전체 23쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.10.01

영문 초록

This thesis is to discuss the matter of enlightenment, which has been frequently shown in the Korean New Novels and previous research papers on them, as a first step in my research on the paradigm of enlightenment shown in Korean modern literature. Such new ideas as 'modernity,' 'enlightenment,' and 'nation' emerged as new guiding principles to lead the society at the time that the Korean New Novels appeared. However, the enthusiasm for enlightenment interlocking with the crisis of the nation caused the abstract logic of reforming the national consciousness by modern ideology to be placed before the consideration of reality. Consequently, there existed a big gap between the realistic foundation and the ideological contention. Such a situation was expressed as the spread between a foreign idea of modernity and a conventional life based on Confucian customs. The spread between the Confucian values prevailing in a level of customs and the modern awakening in a level of ideology disclosed fictionality in the enlightening cause which was raised in such a state that the material foundation of a modern society was poor. In addition, the enlightening value of the Korean New Novels, which has been discussed in many research papers on them, was used as an important ground for determining its literary values. According to such papers, the values that the Korean New Novels have as literature in the literary history are determined by the code of confirmity with enlightenment: whether or not the historical recognition a novelist has is right in view of critics' comments on the historical situation in the society at that time. The historical recognition of a novelist is considered more important than the literary values of his work. Such a critical logic has finally resulted in spreading the paradigm of recognition, that is, an approach of literature from a deterministic point of view based on the ethical world view, throughout Korean literature.

목차

Ⅰ. 서론

Ⅱ. 한국적 근대의 모순

Ⅲ. 신소설의 두 층위

Ⅳ. 『혈의 루』에 나타난 계몽 이념의 허구성

Ⅴ. 결론

참고문헌

Abstract

저자소개