한국문학사상 송강가사의 위상

• 영문명: Phase of Songgang Gasa in History of Korean Literature
• 발행기관: 한국언어문학회
• 저자명: 전일환(Jeon Ihlhwan)
• 간행물 정보: 『한국언어문학』한국언어문학 제55집, 275~292쪽, 전체 18쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.10.01

영문 초록

Songgang Jeong, Chul had been influenced by Sabu and Byungryumun as in Chinese Literature, yet he established his own Gasa genre into universal order of literature with his aesthetical sentiments permeated, and without any aspects or indications of Chinese Literature. The rhetoric skills foundation of Songgang is externally ordered by unrestricted elegant expression of delineation of his feelings or the nature and internally with the finesse contrast writing skills of Byungryumun which most effectively describes. Beauty of contrast writing skills which accord in pairs are not always found in dual opposite relations as in negative-positive dualism. As mentioned above, it could be found in principal and subordinate relations, ascending relations, resembling relations, as well as in assuming relations. Also, Songgang was extolled by Chosun poets for experimenting the acme of beauty of Korean Language which is composed of phonetic symbols other than fancy and charm of Chinese Language, an ideograph. Especially Kim, Man Joong stated in Seopomanpil that three volumes of Songganggasa had most genuine sentences in Korea and Sokmiingok, above other two, which was written in Korean, is most excellent work. Kim, Man Joong also said that other two were just no comparison to Sokmiingok due to Chinese phrases used in other two. Hence, Jeong, Chul is the most preeminent a Gasa writer as well as a poet of Chosun, established unique Gasa genre and enriched Korean Literature.

목차

Ⅰ. 서론

Ⅱ. 조선 시가장르의 창작과 향유

Ⅲ. 조선 가사문학의 최고봉 송강 정철

참고문헌

Abstract

저자소개