원효(元曉) 설화에 나타난 풍류정신 - 의상(義湘) 설화와 비교하면서 -

• 영문명: The Romantic Spirit Expressed in the Tale of Wonhyo - Compared with the Tale of Uisang -
• 발행기관: 동남어문학회
• 저자명: 강은혜(Kang Eun-Hae)
• 간행물 정보: 『동남어문논집』동남어문논집 제19호, 5~25쪽, 전체 21쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2005.03.01

영문 초록

The life of Wonhyo expressed in his tale is a history of playful indulgence of senses and tastes. Although he was a Buddhist monk, he cast off the general formula of ascetic exercises, and pursued his own style of study method, self-awakening, and Buddhist enlightenment. If a graceful learned monk, Uisang, who examined Hwaeom with Wonhyo, as a fellow student, and accompanied him in his studying abroad, was consistent in no possession and self-restraint throughout his life, Wonhyo was a depraved monk, who experienced even the desires of worldly people voluntarily. However, different from common people, Wonhyo was not placed under the shackle of his experience. The purpose of this article was to examine from where Wonhyo's spirit of liberty, which knew no limit and broke loose all the shackles, derived. The journey of Wonhyo's creative and playful ascetic exercises, such as the style of self-awakening, artistic experience, fleshly and worldly experience, the provision of nature, which he realized in his trips to thousands of villages and towns, shows that he was not fixed in an ordained Buddhist life. That was a playful self-indulgence of senses and tastes, which he couldn't take care of by himself, and a pathway through which he could reach to the pursuit of universal, harmonious, and well-rounded humanities. And that was in-consistent with our traditional abstruse way of life, namely, the romantic turn of mind- a cardinal point of Hwarang in which Wonhyo took part in his youth, which encourages the longing for metaphysics, the enjoyment of songs/dances/art, and endless travel.

목차

1. 머리말

2. 풍류(風流)

3. 원효와 의상의 수행 길

4. 맺음말

참고문헌

Abstract