현대시의 영상적 주체구성과 시각구조 - 황지우의 시를 중심으로 -

• 영문명: The Filmic Subject and Vision in the Modern Poetry
• 발행기관: 어문연구학회
• 저자명: 박수연(Park Soo-yeon)
• 간행물 정보: 『어문연구』어문연구 제44집, 379~402쪽, 전체 24쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2004.04.01

영문 초록

This paper considers to the filmic subject and vision in the modern poetry. The basis theory is the Lacanian psycho-analytics to the subject. Especially, his theory of mirror stage and J-A. Miller's theory of suture are quoted. The ego of human is constructed in period between 6~18 months after birth. This time, the mirror image is experience of the other. Enfant constructs a unified ego through the identification with the other. This is a narcissism. Thus, the subject is effect of the vision-field. Then, the vision-field is divided to the eye and the gaze. The eye points to a position of subject and the gaze points to a position of the other. That is to said, vision-field divided into the subject and the other. Modern poetry's space is ruled by that division. And that points a division of poetic subject. Whang, Ji-Woo' poetry illustrates the division well. It is said that modern poetry is constructed to division of the eye and gaze. And that illustrates a filmic subject of modern poetry.

목차

1. 서 론

2. 시선과 응시

3. 결 론

참고문헌