식민지 시대 김기림의 의식 변모 양상 - 구모룡의「식민성 근대주의의 한 양상」비판

• 영문명: Transfiguration of Kim, Ki-Rim's Consciousness in Colonial Age - A Criticism for An Aspects of Colonial Modernism by Koo, Mo-Ryong
• 발행기관: 어문연구학회
• 저자명: 홍기돈(Hong Ki-Don)
• 간행물 정보: 『어문연구』어문연구 제48집, 431~458쪽, 전체 28쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.08.01

영문 초록

In the early 1930s, Kim, Ki-Rim criticized the modern snobbism through the primitivism, but he transformed his world of writing influenced by the European writers against Fascism, Through the controversial debates on technicalism, that way of writing moved to his totalitarian poetics. But his totalitarian--active embracing for the real world-- poetics couldn't realize in the colonial situations. That made him do the exhaustive groping from the mid-1930s. Kim, Ki-Rim's poems and verses in 1939 showed the appreciable despair. It was the response for the changes of many writers who turned into the pro-Japanese after the triumph of war. Koo, Mo-ryong provides Kim as a pro-Japanese writer at that period, for Kim showed the influence of Miki Kiyoshi, but it is the unfounded allegation in various aspects. Kim didn't write anymore after publishing "Heart-broken Writing for Orient" in the last volume of Writing in April 1941, and returned to his home. His last work, "Heart-broken Writing," showed the firm ground of his consciousness for the Orient with his other poem "The Mountain." And they also showed the possibilities of choosing silence as a way against those oppressive era.

목차

1. 기교주의 논쟁의 배경과 전개

2. 김기림의 절망; 의지와 현실의 괴리

3. 미키 기요시(三木淸)의 영향과 김기림의 민족의식

4. 침묵 해명의 열쇠:「山」과「'東洋'에 대한 斷章」의 대응관계

참고문헌

Abstract