엘리엇의 『네 개의 사중주』와 데리다의 ？어떻게 말하는 것을 피할 수 있는가？

• 영문명: Eliot’s Four Quartets and Derrida’s “How to Avoid Speaking”: The Two Texts’ Mutual Illumination
• 발행기관: 한국T.S.엘리엇학회
• 저자명: 김양순(KIM, Yangsoon)
• 간행물 정보: 『T. S. 엘리엇연구』제15권 제2호, 43~66쪽, 전체 24쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2005.12.30

영문 초록

The purpose of this study is to link Eliot’s exploration of “silence” and “negation” in Four Quartets with Derridean deconstruction, especially his essay, “How to Avoid Speaking.” The Eliot/Derrida parallel of this paper deals with a real question that one work can illuminate the other, rather than pursuing the similarities of their thoughts and revealing the interactions or influences.Eliot and Derrida share a common distrust of language. Eliot’s exploration of the void seems to be close to Derrida’s assertion, and Eliot’s “still point” is like an approach to the idea of diffrance. Throughout his career, the sense of the void never really leaves Eliot. Derrida also mentions about his implicit relation to negative theology.In Four Quartets, however, we can locate his turn toward the value of humility as an important difference between Eliot and Derrida. Eliot raises a question whether silence, in surpassing language, indeed fulfills the vision of unity and eternity; or only by negation can we indicate what remains forever beyond the conditions of representation. Thus one of his greatest concerns is the spiritual vicissitudes of finding and keeping a viable way.

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엘리엇 데리다 네 개의 사중주 부정신학 해체주의 차연 침묵 Eliot Derrida Four Quartets negative theology deconstuction diffrance silence