학술논문
Melville's "foundling, a presumable by-blow": A Reading of the Acts of Open Form in Billy Budd, Sailor
이용수 133
- 영문명
- 발행기관
- 한국영미어문학회
- 저자명
- Jaekwang Hwang
- 간행물 정보
- 『영미어문학』영미어문학 제108호, 43~61쪽, 전체 19쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2013.08.31
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국문 초록
영문 초록
This paper examines multiple implications of the acts of the open form in Billy Budd with attention to the author's preference for open ended process of inquiry and non-foundational impulse toward his own art. Melville's open form is equivalent to non-formist organic form and therefore antithetical to the New Critical concept of organic unity, in that the former emphasizes the multiple endings and the fragmented nature of the text created by growing processes of the narrative while the latter underscores the finalized form in literary texts. For this reason, the open ended form engenders multiple perspectives, and renders the novel functional and performative rather than foundational. Like Billy Budd whose origin is unknown, the text of Billy Budd acts like a literary foundling or by-blow of its author whose self-subverting rhetoric allows the story about the protean character to grow further in the mids and hearts of its readers. Rather than conveying the last word of its author, the novel offers its readers interpretive freedom and interpretive conundrum as well.
목차
Abstract
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Works Cited
해당간행물 수록 논문
- Who Dun It to the Country? Crime, Investigation, and 9/11 in No Country for Old Men
- Reinscribing on the Female Body: Nuruddin Farah's Gifts
- Melville's "foundling, a presumable by-blow": A Reading of the Acts of Open Form in Billy Budd, Sailor
- Shamanic Healing in Larry Heinemann's Paco's Story
- Pauline's Trickster Cure in Erdrich's Tracks
- Collaborative Writing in L2: Its Effects, Student Perspectives, and Teaching Strategies
- John Donne's La Corona: the Anticipation of Spiritual Affliction and Enhancement in Holy Sonnets
- Contemporary Resonance and Moral Ambiguity in Shakespeare's Titus Andronicus
- The Marriage-Escape Framework and the Consequential Endings in Edith Wharton's Works
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