저작권법상 영상제작자에 관한 고찰

• 영문명: A Study on the Status of the Film-Producer in Korean Copyright Act
• 발행기관: 한국재산법학회
• 저자명: 계승균(Kye Seung-Kyoon)
• 간행물 정보: 『재산법연구』재산법연구 제23권 제1호, 277~301쪽, 전체 25쪽
• 주제분류: 법학 > 법학
• 파일형태: PDF
• 발행일자: 2006.06.01

영문 초록

  The purpose of this article is to review the status of the film-producer in korean copyright act.
  First of all, the Mass-Investment is specially characteristic of Filmworks in comparison with the other copyrighted works. Korean copyright act regulates the Principle of Creator on that who creator is. According to the Korean Copyright Act, film-producer is not Creator because he is not devoted to the Creation to make film.
  However, Filmproducer is considered very important by Korean Copyright Act because he plans the filmproducing and manages the organization as a whole, and he support finances to make film. In addition, he is responsible for the making film generally. He should enter into the contract with the other participants in his own name.
  At present the film-industry plays very important role in Korea. It stands as symbol for korean culture, so that we must concern about film-industry.

목차

Ⅰ. 서언
Ⅱ. 영상저작물과 영상제작자에 관한 입법례
Ⅲ. 창작자주의
Ⅳ. 영상저작물의 경우 누가 저작자인가
Ⅴ. 소결
Ⅵ. 영상제작자의 의미와 역할
Ⅶ. 영상제작자규정은 창작자주의에 대한 예외인가
Ⅷ. 결언
참고문헌
〈Abstract〉

키워드

영상저작물 영상제작자 창작자주의 저작자 저작권 산업정책 문화정책 Film(Filmwerke) Filmproducer(Filmhersteller) Copyright(Urheberrecht) Urheber(Author) Principle of Creator(Sch？pferprinzip) Policy of Industry(Industriepolitik) Policy of Culture(Kulturpolitik)