맥스 브랜드의 서부의 총잡이들

Gunman’s Reckoning by Max Brand

맥스 브랜드(Max Brand) 지음

디즈비즈북스 2025년 04월 07일 출간

작품소개

책소개

영어로 읽는 고전 _ 맥스 브랜드의 서부의 총잡이들
맥스 브랜드의 "건맨스 레코닝"은 20세기 초에 쓰여진 소설입니다. 이 이야기는 주로 상황에 의해 몰락한 이전에 존경받던 범죄 인물인 레프티 조의 캐릭터에 초점을 맞추며, 무법자와 총잡이들의 거친 세계로 깊이 빠져듭니다. 레프티가 법의 경계에서 삶을 헤쳐 나가면서, 그는 그의 갱단의 몰락과 연관된 남자인 도네건에 맞서기 위한 탐색에 휩싸이게 되며, 복수와 구원을 위한 투쟁의 긴장된 저류가 흐릅니다.
"건맨스 레코닝"의 도입부는 독자들에게 화물 열차의 소란스러운 분위기를 소개하며, 그곳에서 레프티 조와 차장이 과거의 업적과 레프티를 현재 상황으로 이끈 혼란에 대해 논의합니다. 레프티가 배신과 도네건과의 갈등으로 표시된 그의 몰락의 역사를 밝히면서, 도네건이 바로 그 열차에 타고 있다는 깨달음과 함께 플롯이 짙어집니다. 레프티의 격동적인 과거에 대한 솔직한 성찰을 통해, 복수의 불씨가 여전히 그의 마음속에서 밝게 타오르면서, 행동과 도덕적 복잡성을 약속하는 임박한 대결의 무대가 마련됩니다.

Classics Read in English _ Gunman’s Reckoning by Max Brand
Max Brand's "Gunman's Reckoning" is a novel from the early 20th century that delves into the harsh world of outlaws and gunmen, primarily focusing on the character of Lefty Joe, a once-respected criminal figure who has fallen on hard times. As Lefty navigates life on the edges of the law, he becomes consumed by a mission to confront Donnegan, a man connected to his gang's downfall, with an underlying tension of vengeance and the struggle for redemption.
The opening of "Gunman's Reckoning" introduces readers to the chaotic atmosphere of a freight train, where Lefty Joe and a brakeman discuss past exploits and the turmoil that has brought Lefty to his current circumstances. As Lefty reveals the history of his downfall, marked by betrayal and conflict with Donnegan, the narrative intensifies with the realization that Donnegan is aboard the very same train. Through Lefty's honest reflection on his turbulent past, the stage is set for an impending confrontation that promises action and moral complexity, as the flames of vengeance continue to burn brightly in his heart.

목차

Contents
CHAPTER I. The fifty empty freights danced
CHAPTER II. The brakie heard this recital
CHAPTER III. But even though this major step was accomplished successfully
CHAPTER IV. When he wakened
CHAPTER V. But Donnegan had leaped clear of the roadbed
CHAPTER VI. Even the old woman
CHAPTER VII. He found himself in a large room
CHAPTER VIII. The colonel stiffened in his chair
CHAPTER IX. In a way, it was an awful tribute
CHAPTER X. Fifty miles over any sort of going
CHAPTER XI. Hunting for news, he went naturally to the news emporium
CHAPTER XII. By the time absolute darkness had set in
CHAPTER XIII. First his glance plunged into vacancy
CHAPTER XIV. The lantern went out in the tent
CHAPTER XV. Before Donnegan gave the signal to halt in a clear space
CHAPTER XVI. His plan, grown to full stature so swiftly
CHAPTER XVII. The bar in Milligan's was not nearly so pretentious
CHAPTER XVIII. Before Milligan's the crowd began to buzz like murmuring
CHAPTER XIX. Big Landis lost his nerve and sidestepped at the last minute
CHAPTER XX. It should be understood that before
CHAPTER XXI. As they went back, toward Nelly's table
CHAPTER XXII. To the people in Milligan's it had been most incredible
CHAPTER XXIII. If he had taken the eye of the hardened Rix
CHAPTER XXIV. That was the signal for the rush
CHAPTER XXV. Donnegan stepped to a chair and sat down
CHAPTER XXVI. Had he been there to see
CHAPTER XXVII. She qualified her surrender, of course
CHAPTER XXVIII. It gave them both a welcome opportunity to laugh
CHAPTER XXIX. It is your phlegmatic person
CHAPTER XXX. The air was thin and chilly
CHAPTER XXXI. If Nelly Lebrun had consigned him mentally to the worms
CHAPTER XXXII. The big man crossed the floor with one vast stride
CHAPTER XXXIII. At this Lord Nick very frankly frowned in turn
CHAPTER XXXIV. It was a long time before Donnegan left the hut
CHAPTER XXXV. When Nelly Lebrun raised her head from her hands
CHAPTER XXXVI. It was fear that Nelly Lebrun felt first of all
CHAPTER XXXVII. If the meeting between Lord Nick and Donnegan earlier
CHAPTER XXXVIII. The smile of Joe Rix was the smile of a diplomat
CHAPTER XXXIX. Nelly Lebrun smelled danger
CHAPTER XL. The day passed and the night
CHAPTER XLI. There was one complication
CHAPTER XLII. There was no crowd to block the hill
CHAPTER XLIII. One thing was now clear
CHAPTER XLIV. An ancient drunkard in the second story

책 속으로

The fifty empty freights danced and rolled and rattled on the rough road bed and filled Jericho Pass with thunder; the big engine was laboring and grunting at the grade, but five cars back the noise of the locomotive was lost. Yet there is a way to talk above the noise of a freight train just as there is a way to whistle into the teeth of a stiff wind. This freight-car talk is pitched just above the ordinary tone—it is an overtone of conversation, one might say—and it is distinctly nasal. The brakie could talk above the racket, and so, of course, could Lefty Joe. They sat about in the center of the train, on the forward end of one of the cars. No matter how the train lurched and staggered over that fearful road bed, these two swayed in their places as easily and as safely as birds on swinging perches. The brakie had touched Lefty Joe for two dollars; he had secured fifty cents; and since the vigor of Lefty's oaths had convinced him that this was all the money the tramp had, the two now sat elbow to elbow and killed the distance with their talk.
"It's like old times to have you here," said the brakie. "You used to play this line when you jumped from coast to coast."
"Sure," said Lefty Joe, and he scowled at the mountains on either side of the pass. The train was gathering speed, and the peaks lurched eastward in a confused, ragged procession. "And a durned hard ride it's been many a time."

출판사 서평

서평(Book Review)
맥스 브랜드의 "건맨스 레코닝"은 몰락한 무법자의 복수와 구원을 탐구하는 강렬한 서부 소설이다. 주인공 레프티 조의 내적 갈등을 중심으로, 이 작품은 명예와 정의의 경계가 모호한 세계에서 인간의 도덕적 복잡성을 섬세하게 그려낸다. 브랜드는 화물 열차라는 제한된 공간에서 시작하여 긴장감을 고조시키며, 과거의 그림자와 맞서야 하는 인물의 심리적 여정을 탁월하게 묘사한다. 복수의 불꽃과 자기 성찰 사이에서 흔들리는 레프티의 모습은 독자들에게 인간의 본성과 구원의 가능성에 대한 보편적 질문을 던지며, 단순한 서부 액션을 넘어 영혼의 깊은 곳을 탐험하는 문학적 여정을 선사한다.

Max Brand's "Gunman's Reckoning" is a powerful Western novel that explores the vengeance and redemption of a fallen outlaw. Centered on the internal conflict of protagonist Lefty Joe, this work delicately portrays human moral complexity in a world where the boundaries between honor and justice are blurred. Brand masterfully builds tension beginning in the confined space of a freight train, excellently depicting the psychological journey of a character who must confront the shadows of his past. Lefty's oscillation between the flames of revenge and self-reflection poses universal questions about human nature and the possibility of redemption, offering readers a literary journey that explores the depths of the soul beyond simple Western action.

작가정보

저자(글) 맥스 브랜드(Max Brand)

맥스 브랜드는 미국의 유명한 서부 소설 작가로, 실제 이름은 프레더릭 숀 팩스턴 파우스트(Frederick Schiller Faust)입니다. 1892년에 태어나 1944년에 사망했으며, 서부 개척시대를 배경으로 한 모험과 액션이 가득한 소설로 큰 인기를 얻었습니다. 그는 맥스 브랜드 외에도 조지 오웬 백스터, 데이비드 매닝, 이반 에반스 등 다양한 필명을 사용했습니다. 그의 작품은 속도감 있는 서사와 생생한 캐릭터 묘사로 유명하며, 많은 작품이 영화와 TV로 각색되었습니다. '데스티니 라이더', '실버팁' 시리즈 등이 대표작으로 꼽히며, 서부 소설 장르에 지대한 영향을 끼쳤습니다.

Max Brand was a prominent American Western novelist whose real name was Frederick Schiller Faust. Born in 1892 and died in 1944, he gained immense popularity for his adventure and action-packed novels set in the American frontier. Besides Max Brand, he used various pen names including George Owen Baxter, David Manning, and Evan Evans. His works are known for their fast-paced narratives and vivid character portrayals, with many of his stories adapted into films and TV shows. Famous works include the "Destiny Rider" and "Silvertip" series, among others. He made a significant impact on the Western fiction genre and remains one of its most influential writers.