러시아 단편소설들.The Book of Best Russian Short Stories, by Various

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러시아 단편소설들.The Book of Best Russian Short Stories, by Various
유명한 러시아 작가의 단편소설들을 모아서 책을만듬.
BEST RUSSIAN SHORT
STORIES
Compiled and Edited by Thomas Seltzer

러시아 작가의 이름은 아래 참조. 작품명은 목차참조.
A.S. Pushkin 퓨쉬킨 .
I.S. Turgenev 튜르게네프.
F.M. Dostoyevsky 토스토엡스키.
L.N. Tolstoy 톨스토이 .
M.Y. Saltykov
V.G. Korolenko
N.V. Gogol 고고리.
V.N. Garshin
A.P. Chekhov A.P. Chekhov 체홉.

A.S. Pushkin 퓨쉬킨
I.S. Turgenev 튜르게네프.
F.M. Dostoyevsky 토스토엡스키.
L.N. Tolstoy 톨스토이 .
M.Y. Saltykov
V.G. Korolenko
N.V. Gogol 고고리.
V.N. Garshin
A.P. Chekhov A.P. Chekhov 체홉.
A.P. Chekhov
F.K. Sologub I.N. Potapenko S.T. Semyonov
M. Gorky M. Gorky
L.N. Andreyev
M.P. Artzybashev
A.I. Kuprin

목차

러시아 단편소설들.The Book of Best Russian Short Stories, by Various

CONTENTS

CONTENTS
THE QUEEN OF SPADES A.S. Pushkin
THE CLOAK N.V. Gogol
THE DISTRICT DOCTOR I.S. Turgenev
THE CHRISTMAS TREE AND THE WEDDING F.M. Dostoyevsky
GOD SEES THE TRUTH, BUT WAITS L.N. Tolstoy
HOW A MUZHIK FED TWO OFFICIALS M.Y. Saltykov
THE SHADES, A PHANTASY V.G. Korolenko
THE SIGNAL V.N. Garshin
THE DARLING A.P. Chekhov
THE BET A.P. Chekhov
VANKA A.P. Chekhov
HIDE AND SEEK F.K. Sologub
DETHRONED I.N. Potapenko
THE SERVANT S.T. Semyonov
ONE AUTUMN NIGHT M. Gorky
HER LOVER M. Gorky
LAZARUS L.N. Andreyev
THE REVOLUTIONIST M.P. Artzybashev
THE OUTRAGE A.I. Kuprin

출판사 서평

러시아 단편소설들.The Book of Best Russian Short Stories, by Various

INTRODUCTION
Conceive the joy of a lover of nature who, leaving the art galleries, wanders out among the trees and wild flowers and birds that the pictures of the galleries have sentimentalised. It is some such joy that the man who truly loves the noblest in letters feels when tasting for the first time the simple delights of Russian literature. French and English and German authors, too, occasionally, offer works of lofty, simple naturalness; but the very keynote to the whole of Russian literature is simplicity, naturalness, veraciousness.
Another essentially Russian trait is the quite unaffected conception that the lowly are on a plane of equality with the so-called upper classes. When the Englishman Dickens wrote with his profound pity and understanding of the poor, there was yet a bit; of remoteness, perhaps, even, a bit of caricature, in his treatment of them. He showed their sufferings to the rest of the world with a “Behold how the other half lives!” The Russian writes of the poor, as it were, from within, as one of them, with no eye to theatrical effect upon the well-to-do. There is no insistence upon peculiar virtues or vices. The poor are portrayed just as they are, as human beings like the rest of us. A democratic spirit is reflected, breathing a broad humanity, a true universality, an unstudied generosity that proceed not from the intellectual conviction that to understand all is to forgive all, but from an instinctive feeling that no man has the right to set himself up as a judge over another, that one can only observe and record.
In 1834 two short stories appeared, The Queen of Spades, by Pushkin, and The Cloak, by Gogol. The first was a finishing-off of the old, outgoing style of romanticism, the other was the beginning of the new, the characteristically Russian style. We read Pushkin’s Queen of Spades, the first story in the volume, and the likelihood is we shall enjoy it greatly. “But why is it Russian?” we ask. The answer is, “It is not Russian.” It might have been printed in an American magazine over the name of John Brown. But, now, take the very next story in the volume, The Cloak. “Ah,” you exclaim, “a genuine Russian story, Surely. You cannot palm it off on me over the name of Jones or Smith.” Why? Because The Cloak for the first time strikes that truly Russian note of deep sympathy with the disinherited. It is not yet wholly free from artificiality, and so is not yet typical of the purely realistic fiction that reached its perfected development in Turgenev and Tolstoy.

작가정보

저자(글) Various

러시아 단편소설들.The Book of Best Russian Short Stories, by Various
러시아의 다수작가.
BEST RUSSIAN SHORT
STORIES
Compiled and Edited by Thomas Seltzer