로버트 W. 크렙스의 아마겟돈 1970

Armageddon, 1970 by Robert W. Krepps

로버트 W. 크렙스(Robert Wilson Krepps) 지음

디즈비즈북스 2025년 05월 12일 출간

작품소개

책소개

영어로 읽는 고전 _ 로버트 W. 크렙스의 아마겟돈 1970
"로버트 W. 크렙스의 '아마겟돈, 1970'은 1950년대 초에 쓰인 공상과학 소설입니다. 이야기는 프로젝트 스타에 배치된 과학자 앨런 랙햄 박사를 중심으로 전개되며, 그는 첨단 기술과 잠재적인 외계 위협을 배경으로 음모의 중심에 서게 됩니다. 이야기가 진행되면서, 랙햄은 암살 시도와 자신의 임무의 불분명한 성격에 맞서게 되는데, 이는 돌연변이와 외계 세력을 포함한 더 깊은 층위의 음모를 암시합니다. 이야기의 시작은 앨런이 용접공이 관련된 놀랍고도 끔찍한 직장 사고를 목격한 직후 암살 시도에서 살아남으면서 긴장감 있는 분위기를 조성합니다. 그의 동료 브레이브와 함께, 그들은 프로젝트 스타에서 모든 것이 보이는 대로가 아니라는 의심을 품게 하는 불안한 일련의 사건들을 발견합니다. 앨런의 생활에서 비행 원반에 관한 그의 작업과 연결된 이상한 일들이 발생하면서 긴장감은 고조되고, 이는 그들의 목적의 본질과 그들 사이에 있을 수 있는 돌연변이를 포함한 더 큰 위협에 대한 계시로 이어집니다. 개인적이고 실존적인 위험의 혼합은 이야기를 앞으로 밀어붙이며, 앨런이 자신의 세계와 관계의 방대한 복잡성을 헤쳐나가면서 진실을 밝혀내도록 도전합니다."

Classics Read in English _ Armageddon, 1970 by Robert W. Krepps
"Armageddon, 1970" by Robert W. Krepps is a science fiction novel from the early 1950s that feels remarkably prescient today. The story centers on Dr. Alan Rackham, a scientist at Project Star who becomes entangled in a web of conspiracy amid advanced technology and potential alien threats.
The narrative kicks off with intense urgency as Alan narrowly escapes an assassination attempt after witnessing a horrific industrial accident involving a welder. Together with his ally Brave, he begins to unravel disturbing patterns suggesting that Project Star harbors dark secrets beneath its scientific facade.
As strange incidents connected to his work on flying disks multiply, Alan's investigation reveals shocking truths about their purpose and hints at a larger existential threat—possibly including hidden mutants among the human population. The mounting tension forces Alan to question everything while navigating complex relationships and uncovering layers of deception.
The novel brilliantly blends personal jeopardy with larger existential questions, driving Alan's desperate quest for truth amid increasingly dangerous circumstances. Krepps creates a world where technological advancement and human nature collide in ways that feel eerily relevant to contemporary anxieties about scientific ethics and unseen threats.

목차

Contents
CHAPTER I. They tried to kill Alan Rackham
CHAPTER II. Next morning, while Alan was still dressing
CHAPTER III. They were driving out Queens Boulevard
CHAPTER IV. That night Alan and Brave rode across Project Star
CHAPTER V. Alan awoke after an hour of nightmare-ridden sleep
CHAPTER VI. They brought in Erin Grady
CHAPTER VII. Brave passed around anticohol tablets
CHAPTER VIII. So now we're all but helpless
CHAPTER IX. "Hi, Mac," said a weary voice
CHAPTER X. Don Mariner, leaning out of the window of the station wagon
CHAPTER XI. They carried the body of Don Mariner
CHAPTER XII. They landed gently beside the two great silver disks
CHAPTER XIII. They were back at the temporary base of the disks

책 속으로

They tried to kill Alan Rackham about an hour after he had seen the accident. They bungled the job. They shot at him from ambush—with an ordinary automatic pistol—as he was walking up to his house; and Brave, who had a sixth sense for danger which never failed him, knocked Alan over at the very instant of the shot and sprawled across him, a great solid shield holding him down and protecting him despite his angry wrigglings. Brave's grenade pistol was in his hand before the two of them hit ground, and he sent four quick shots at the bushes, spaced so that the tiny hot fragments tore hell out of thirty yards of shrubbery. Nobody yelled or groaned. Brave waited a full minute, and then he rose cautiously, so that Alan could sit up and brush himself off and swear as he spat out dirt. They went into the house and Alan reported the assassination attempt to his immediate superior, Dr. Getty. After that they didn't try again to kill Alan for a long time.
The accident had been uncanny. It happened in the room where the shells of the silver-colored disks were fitted together and welded, before they were sent to the gargantuan baths that half-melted them again to rechill them into solid masses of metal which nothing short of a direct hit by a blockbuster would crack.

출판사 서평

서평(Book Review)
로버트 W. 크렙스의 '아마겟돈, 1970'은 1950년대 초에 쓰여진 고전 SF 소설로, 프로젝트 스타에서 근무하는 과학자 앨런 랙햄이 음모와 외계 위협 속에서 진실을 찾아나가는 여정을 그립니다. 공모, 암살 시도, 그리고 돌연변이에 관한 충격적인 발견이 이어지는 이 작품은 과학 기술의 발전과 인간 본성의 충돌을 탐구하며, 현대 독자들에게도 여전히 공감을 불러일으키는 기술 윤리와 숨겨진 위협에 대한 불안을 시의적절하게 다룹니다.

Robert W. Krepps's "Armageddon, 1970" is a classic sci-fi novel from the early 1950s that follows scientist Alan Rackham at Project Star as he navigates conspiracies and alien threats in search of truth. Through a series of conspiracies, assassination attempts, and shocking discoveries about mutants, the novel explores the collision between technological advancement and human nature, addressing anxieties about scientific ethics and hidden dangers that still resonate with modern readers.

작가정보

저자(글) 로버트 W. 크렙스(Robert Wilson Krepps)

로버트 W. 크렙스(Robert Wilson Krepps, 1919-1980)는 미국의 작가로 주로 'Geoff St. Reynard'라는 필명으로 과학소설과 판타지 작품을 발표했습니다. 피츠버그에서 태어나 플로리다에서 생을 마감한 그는 1945년 "Wink Van Ripple"이라는 작품으로 문학계에 데뷔했습니다. 그의 작품은 주로 'Fantastic Adventures'와 'Imagination' 같은 잡지에 실렸으며, "The Buttoned Sky"와 "The Giants from Outer Space" 같은 상상력 넘치는 작품으로 기억됩니다. 크렙스는 과학소설 외에도 서부 소설, 역사 소설, 모험 이야기를 썼고, 'The Courts of the Lion'과 같은 작품을 발표했습니다. 그는 또한 'Beatrice Brandon'이라는 여성 필명으로 고딕 로맨스를 집필했으며, 영화의 소설 버전도 여러 편 썼습니다. 그의 과학소설은 대부분 스페이스 오페라 장르였으며, 그가 남긴 작품의 절반은 과학소설과 판타지였고, 나머지 절반은 서부물과 아프리카 모험 이야기였습니다.

Robert Wilson Krepps (1919-1980) was an American writer who primarily published science fiction and fantasy works under the pseudonym "Geoff St. Reynard." Born in Pittsburgh and passing away in Florida, he made his literary debut in 1945 with "Wink Van Ripple." His works frequently appeared in magazines like "Fantastic Adventures" and "Imagination," and he is particularly remembered for imaginative novellas such as "The Buttoned Sky" and "The Giants from Outer Space." Beyond science fiction, Krepps wrote western novels, historical fiction, and adventure stories, publishing works like "The Courts of the Lion." He also wrote gothic romances under the female pseudonym "Beatrice Brandon" and created novelizations of films. His science fiction was mostly in the space opera genre, and while about half of his literary output consisted of science fiction and fantasy, the other half comprised westerns and African adventure tales.