이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler Yeats

William Thomas Horton 지음

뉴가출판사 2022년 07월 31일 출간

작품소개

책소개

이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler Yeats
영국의 저술가가 그림을 이미지 영상으로 그리고 영국 에이레의 시인인 에이츠가 서언부분을 기술한책.
Title: A book of images
Illustrator: William Thomas Horton
Contributor: William Butler Yeats
Language: English

A BOOK OF IMAGES
DRAWN BY W. T.
HORTON & INTRODUCED
BY W. B. YEATS
LONDON AT THE UNICORN
PRESS VII CECIL COURT ST.
MARTIN’S LANE MDCCCXCVIII

THE UNICORN QUARTOS, NUMBER TWO. A BOOK OF IMAGES. DRAWN BY WILLIAM T. HORTON, INTRODUCED BY W. B. YEATS, AND PUBLISHED AT THE UNICORN PRESS, VII. CECIL COURT, ST. MARTIN’S LANE, LONDON. MDCCCXCVIII.

목차

이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler Yeats
CONTENTS.
PAGE
INTRODUCTION BY W. B. YEATS, 7

“BY THE CANAL,” 17

“CHATEAU ULTIME,” 19

“THE OLD PIER,” 21

“NOTRE DAME DE PARIS,” 23

“TREES WALKING,” 25

“LA RUE DES PETITS-TOITS,” 27

“LONELINESS,” 29

“THE WAVE,” 31

“NOCTURNE,” 33

“THE GAP,” 35

“THE VIADUCT,” 37

“THE PATH TO THE MOON,” 39

“DIANA,” 41

“ALL THY WAVES ARE GONE OVER ME,” 43

“MAMMON,” 45

“ST. GEORGE,” 47

“TEMPTATION,” 49

“SANCTA DEI GENITRIX,” 51

“THE ANGEL OF DEATH,” 53

“ASCENDING INTO HEAVEN,” 55

“ROSA MYSTICA,” 57

“ASSUMPTIO,” 59

“BE STRONG,” 61

책 속으로

이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler Yeats
영국의 저술가가 그림을 이미지 영상으로 그리고 영국 에이레의 시인인 에이츠가 서언부분을 기술한책.
Title: A book of images
Illustrator: William Thomas Horton
Contributor: William Butler Yeats
Language: English

A BOOK OF IMAGES
DRAWN BY W. T.
HORTON & INTRODUCED
BY W. B. YEATS
LONDON AT THE UNICORN
PRESS VII CECIL COURT ST.
MARTIN’S LANE MDCCCXCVIII

THE UNICORN QUARTOS, NUMBER TWO. A BOOK OF IMAGES. DRAWN BY WILLIAM T. HORTON, INTRODUCED BY W. B. YEATS, AND PUBLISHED AT THE UNICORN PRESS, VII. CECIL COURT, ST. MARTIN’S LANE, LONDON. MDCCCXCVIII.

출판사 서평

이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler Yeats
INTRODUCTION.
IN England, which has made great Symbolic Art, most people dislike an art if they are told it is symbolic, for they confuse symbol and allegory. Even Johnson’s Dictionary sees no great difference, for it calls a Symbol “That which comprehends in its figure a representation of something else;” and an Allegory, “A figurative discourse, in which something other is intended than is contained in the words literally taken.” It is only a very modern Dictionary that calls a Symbol “The sign or representation of any moral thing by the images or properties of natural things,” which, though an imperfect definition, is not unlike “The things below are as the things above” of the Emerald Tablet of Hermes! The Faery Queen and The Pilgrim’s Progress have been so important in England that Allegory has overtopped Symbolism, and for a time has overwhelmed it in its own downfall. William Blake was perhaps the first modern to insist on a difference; and the other day, when I sat for my portrait to a German Symbolist in Paris, whose talk was all of his love for Symbolism and his hatred for Allegory, his definitions8 were the same as William Blake’s, of whom he knew nothing. William Blake has written, “Vision or imagination”―meaning symbolism by these words―“is a representation of what actually exists, really or unchangeably. Fable or Allegory is formed by the daughters of Memory.” The German insisted in broken English, and with many gestures, that Symbolism said things which could not be said so perfectly in any other way, and needed but a right instinct for its understanding; while Allegory said things which could be said as well, or better, in another way, and needed a right knowledge for its understanding. The one gave dumb things voices, and bodiless things bodies; while the other read a meaning―which had never lacked its voice or its body―into something heard or seen, and loved less for the meaning than for its own sake. The only symbols he cared for were the shapes and motions of the body; ears hidden by the hair, to make one think of a mind busy with inner voices; and a head so bent that back and neck made the one curve, as in Blake’s Vision of Bloodthirstiness, to call up an emotion of bodily strength; and he would not put even a lily, or a rose, or a poppy into a picture to express purity, or love, or sleep, because he thought such emblems were allegorical, and had their meaning by a traditional and not by a natural right.


He is beginning, too, to draw more accurately, and will doubtless draw as accurately as the greater number of the more visionary Symbolists, who have never, from the days when visionary Symbolists carved formal and conventional images of stone in Assyria and Egypt, drawn as accurately as men who are interested in things and not in the meaning of things. His art is immature, but it is more interesting than the mature art of our magazines, for it is the reverie of a lonely and profound temperament.
W. B. YEATS.

작가정보

저자(글) William Thomas Horton

William Thomas Horton영국의 저술가. 예이츠는 영국 에이레의 작가 시인. 이미지.영상의 책.The Book of A book of images, by William Thomas Horton.Contributor: William Butler YeatsTitle: A book of imagesIllustrator: William Thomas HortonContributor: William Butler YeatsLanguage: English