20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux

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뉴가출판사 2022년 05월 18일 출간

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20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux
영미저술가가 쓴책으로 20세기의 전쟁 전과 전후로 나누어서 목차에 있는 20세기의 프랑스 작가들을 기술한 책.
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TWENTIETH CENTURY FRENCH WRITERS
(REVIEWS AND REMINISCENCES)
BY
MADAME MARY DUCLAUX
NEW YORK
CHARLES SCRIBNER’S SONS
1920
Printed in Great Britain

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20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux

CONTENTS
CHAP. PAGE
I. MAURICE BARR？S 1

II. ROMAIN ROLLAND 34

III. EDMOND ROSTAND 51

IV. PAUL CLAUDEL 68

V. FRANCIS JAMMES 98

VI. REN？ BOYLESVE 115

VII. ANDR？ GIDE 126

VIII. CHARLES P？GUY 135

IX. ERNEST PSICHARI 155

X. ？MILE NOLLY 164

XI. HENRI BARBUSSE 169

XII. GEORGES DUHAMEL 175

XIII. THE COUNTESS DE NOAILLES 178

XIV. Madame Colette 193

XV. MADAME TINAYRE 199

XVI. MADEMOISELLE MARIE LEN？RU 214

XVII. THE PASTORAL NOVEL 223

XVIII. THE NOVEL OF CHILDHOOD 243

EPILOGUE 257

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20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux
영미저술가가 쓴책으로 20세기의 전쟁 전과 전후로 나누어서 목차에 있는 20세기의 프랑스 작가들을 기술한 책.
자세한 것은 목차를 따라서 본문을 각 프랑스 작가를 살펴보시기 바람니다.
TWENTIETH CENTURY FRENCH WRITERS
(REVIEWS AND REMINISCENCES)
BY
MADAME MARY DUCLAUX
NEW YORK
CHARLES SCRIBNER’S SONS
1920
Printed in Great Britain

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20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux

PRE-WAR PREFACE
I meant this book to be an image, a reflection, of the Twentieth Century in France, so far as it is shown in literature during the first fourteen years of its course. But my book is small, the subject is vast: an actual, living movement, a growing generation, is a difficult thing to copy―it will not keep still! And it branches out so wide: there are so many French writers of the younger sort! I am overcome with remorse when I think of the gifted beings whom I have left out!
I remember that child whom Saint Augustine saw, trying to gather the sea into his little shell; like him, I see the waters stretching illimitably: I have only brought away a sample. Yet those who taste it may have some faint idea, if not of the breadth and the numerousness of the literary movement in France, at least of its savour and its quality.
Given the limits of my little volume, I was compelled to make a choice; and there is always some injustice in a selection. Why should some be taken and others left? Why accept Rostand and reject Bataille? Why give Madame de Noailles and say nothing of Fernand Gregh? Why gather up Boylesve and Andr？ Gide, neglecting Estaunie, and Sageret, and Paul Adam? If I have Marie Len？ru, why not Sacha Guitry? Choosing Madame Colette, what reason have I for eliminating Madame de R？gnier or Madame Delarue-Mardrus? I especially mourn the absence of the Brothers Tharaud, those perfect artists, who preserve the tradition of Flaubert. And there is a great gap in my fabric where I should have put the colonial novel (that flourishing Euphorion, born of the union of Loti and Kipling). Why have I not a line for Henry Daguerches, for Claude Farr？re? All these are names to remember.
At least I lay this unction to my soul: if I have not always chosen the most perfect, I have faithfully gone in for the most characteristic.
Having to choose a remnant, I have taken those who, instead of continuing the traditions of the Nineteenth Century, have said a new thing, boldly differing, starting forth on a fresh career of their own. I have ‘plumped’ for the daring apostles of Life, those who cultivate movement and liberty rather than Art; freedom of rhythm rather than classic determinism and classic constraint; all those whose method tends to the condition of music, who say with the Abbess Hildegard (and with Bergson), ‘Symphonialis est anima.’ Such authors as these are emphatically of the youth of the world, and the most difficult for a foreign public to distinguish.
My readers will probably find most of these names new; they may even be disappointed at not meeting with those more illustrious spirits with whom for five-and-twenty years they have been familiar: Pierre Loti, Paul Bourget, Anatole France. These great writers still shed on the Twentieth Century the lustre its predecessor brought them; but they are the glorious past, and our concern is with the future. These younger men are the French equivalents to our Wells, and Galsworthy, and Hewlett, our Granville, Barker, our Synge, and Yeats, our Masefield and our Joseph Conrad, nay, even our Compton Mackenzie and our Lascelles Abercrombie. And my task is rendered more difficult by the fact that France is a twy-creature, of double nature, a sort of two-headed eagle or Rosa-Josepha among nations.

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20세기 프랑스 작가들. The Book of Twentieth Century French Writers, by Mary Duclaux영미저술가.TWENTIETH CENTURY FRENCH WRITERS(REVIEWS AND REMINISCENCES)BYMADAME MARY DUCLAUXNEW YORKCHARLES SCRIBNER’S SONS1920Printed in Great Britain