화가 조각가 건축가 예술의 호기심 이야기 일화,제1권.The Book of Anecdotes of Painters,Engravers, Sculptors and Architects, and Curiosities of Art,by Shearjashub Spooner

Art , by Shearjashub Spooner 지음

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화가 조각가 건축가 예술의 호기심 이야기 일화,제1권.The Book of Anecdotes of Painters,Engravers, Sculptors and Architects, and Curiosities of Art,by Shearjashub Spooner
고대 그리스시대 및 르네상스시대의 미켈란젤로등의 화가 조각가 건축가 예술의 호기심 이야기 일화,제1권
목차에서 보듯이 아주 많은 유럽의 인물들이 소개됨.

Tristan and El Greco,
230

Alonso Cano,
230

Cano’s Liberality,
231 {xii}
Cano’s Eccentricities,
231

Cano’s Hatred of the Jews,
232

Cano’s Ruling Passion strong in Death,
234

Ribalta’s Marriage,
235

Aparicio, Canova, and Thorwaldsen,
236

Bartolom？ Est？ban Murillo,
236

Murillo and Velasquez,
236

Murillo’s Return to Seville,
237

Murillo and Iriarte,
238

Murillo’s Death,
238

Murillo’s Style,
239

Murillo’s Works,
240

Murillo’s Assumption of the Virgin,
241

Castillo’s Tribute to Murillo,
242

Correggio,
243

Correggio’s Grand Cupola of the Church of St. John at Parma,
244

Correggio’s Grand Cupola of the Cathedral at Parma,
246

Correggio’s Fate,
249

Annibale Caracci’s Opinion of Correggio’s Grand Cupola at Parma,
253

Correggio’s Enthusiasm,
255

Correggio’s Grace,
255

Correggio and the Monks,
256

Correggio’s Muleteer,
256

Duke of Wellington’s Correggio captured at Vittoria,
257

Correggio’s Ancona,
257

Portraits of Correggio,
258

Singular Fate of Correggio’s Adoration of the Shepherds,
261 {xiii}
Magdalen by Correggio,
264

Discovery of a Correggio,
265

Lionardo da Vinci,
266

Precocity of Da Vinci’s Genius,
266

Extraordinary Talents of Da Vinci,
268

Da Vinci’s Works at Milan,
268

Lionardo da Vinci and Leo X.,
271

Lionardo da Vinci and Francis I.,
271

Death of Da Vinci,
272

Da Vinci’s Learning,
272

Da Vinci’s Writings,
273

Da Vinci’s Sketch Books,
275

The Last Supper of Lionardo da Vinci,
276

Copies of the Last Supper of Da Vinci,
278

Da Vinci’s Discrimination,
279

Da Vinci’s Idea of Perfection in Art,
280

Da Vinci and the Prior,
282

Da Vinci’s Drawings of the Heads in his celebrated Last Supper,
284

Francis I. and the Last Supper of Da Vinci,
284

Authenticated Works of Da Vinci,
285

Works in Niello,
2

목차

CONTENTS.

Infelicities of Artists―an Extract from the American Edition of Boydell’s Illustrations of Shakspeare, containing anecdotes of Torregiano, Banks, Barry, Blake, Proctor, &c.,
1

Advantages of the Cultivation of the Fine Arts to a Country,
6

Antiquity of the Fine Arts,
12

The Pœcile at Athens,
13

Mosaics,
15

The Olympian Jupiter,
17

Painting from Nature,
18

Apelles,
18

Apelles and the Cobbler,
23

Apelles’ Foaming Charger,
24

Apelles and Alexander,
25

Apelles and Protogenes,
25

Benjamin West’s Ancestry,
28

West’s Birth,
29

West’s first remarkable Feat,
30

Little Benjamin and the Indians,
30

West’s Cat’s Tail Pencils,
30

West’s First Picture,
31 {vi}
West’s first Visit to Philadelphia,
32

West’s Ambition,
33

West’s first Patron,
34

West’s Education,
35

West’s Dedication to Art,
36

West’s Early Prices,
38

West’s Arrival at Rome,
39

West’s Early Friends,
41

West’s Course of Study,
43

A Remarkable Prophecy,
43

West’s Fondness for Skating,
44

Michael Angelo,
47

Michael Angelo and Julius II.,
50

St Peter’s Church,
50

Michael Angelo and Lorenzo the Magnificent,
52

The Cartoon of Pisa,
53

Michael Angelo’s Last Judgment,
54

Michael Angelo’s Coloring,
56

Michael Angelo’s Grace,
57

Michael Angelo’s Oil Paintings,
58

Michael Angelo, his “Prophets,” and Julius II.,
58

Bon-Mots of Michael Angelo,
59

Washington Allston,
60

Allston and Vanderlyn,
62

American Patronage at Home and Abroad,
66

Raffaelle Sanzio di Urbino,
70

Raffaelle’s Ambition,
70

Raffaelle and Michael Angelo,
71

Raffaelle’s Transfiguration,
72

Death of Raffaelle,
74

Character of Raffaelle,
74

La Bella Fornarina,
75 {vii}
The Genius of Raffaelle,
76

Raffaelle’s Model for his Female Saints,
76

Raffaelle’s Oil Paintings,
77

Portraits of Pope Julius II.,
78

Manners of Raffaelle,
78

Peter Paul Rubens,
79

Rubens’ Visit to Italy,
80

Rubens’ Enthusiasm,
80

Rubens’ Return to Antwerp,
81

Rubens’ Habits,
82

Rubens’ Detractors,
82

The Gallery of the Luxembourg,
8

출판사 서평

Stuart’s Scholarship,
131

Stuart’s Rule of the Payment of Half-Price at the First Sitting,
131

Stuart’s Powers of Perception,
132

Stuart’s Conversational Powers,
133

Stuart in Ireland,
136

Stuart’s Return to America,
137

Stuart and Washington,
137 {ix}
Stuart’s Last Picture,
138

Stuart’s Reputation,
139

Stuart’s Drawing,
139

Stuart a Punster,
140

Stuart born in a Snuff-Mill,
140

Stuart’s Nose,
140

Stuart’s Sitters,
141

Stuart’s Mark,
142

Stuart and his Dog,
142

The Temple of Diana at Ephesus,
144

The Dying Gladiator,
144

Fabius Maximus,
145

Love of the Arts among the Romans,
146

Comparative Merits of the Venus de Medici and the Venus Victrix,
147

The Effect of Painting on the Mind,
147

Pausias,
148

The Garland Twiner,
148

Protogenes, the great Rhodian Painter,
149

Parrhasius,
150

The Demos, and other Works of Parrhasius,
150

Parrhasius and the Olynthian Captive,
151

The Vanity of Parrhasius,
152

The Invention of the Corinthian Capital,
152

The Invention of Sculpture,
153

Praxiteles,
154

Praxiteles and Phidias compared,
154

The Works of Praxiteles,
155

The Venus of Cnidus,
155

Praxiteles and Phryne,
156

The King of Bithynia and the Venus of Cnidus,
157

Phidias,
157

Phidias and Alcamenes,
159 {x}
Ingratitude of the Athenians,
159

The Jupiter of Phidias,
160

Phidias’ Model for the Olympian Jupiter,
161

Apollodorus, the Athenian,
162

Apollodorus, the Architect,
163

Trajan’s Column,
164

The Death of Apollodorus,
165

Hogarth,
166

Hogarth’s Apprenticeship,
167

Hogarth’s Revenge,
168

Hogarth’s Method of Sketching,
168

Hogarth’s Marriage,
168

Successful Expedient of Hogarth,
169

Hogarth’s Picture of the Red Sea,
170

Hogarth’s Courtesy,
171

Hogarth’s Absence of Mind,
171

Hogarth’s March to Finchley,
172

Hogarth’s unfortunate Dedication of a Picture,
172

Hogarth’s manner of selling his Pictures,
172

Hogarth’s Last Work,
175

Jacques Louis David,
176

David’s Picture of the Coronation of Napoleon,
178

David and the Duke of Wellington,
184

David and the Cardinal Caprara,
185

David at Brussels,
185

Pierre Mignard,
186

Sir Joshua Reynolds,
188

Reynolds’ New Style,
189

Reynolds’ Prices,
191

Reynolds’ in Leicester Square,
192

The Founding of the Royal Academy,
194

Reynolds and Dr. Johnson,
195

Dr. Johnson’s Friendship for Reynolds,
196 {xi}
Johnson’s Apology for Portrait Painting,
197

The Literary Club,
198

Johnson’s Portrait,
198

Johnson’s Death,
199

Reynolds and Goldsmith,
199

The Deserted Village,
200

Pope a Painter,
201

Reynolds’ First Attempts in Art,
202

The Force of Habit,
202

Paying the Piper,
203

Reynolds’ Modesty,
203

Reynolds’ Generosity,
203

Reynolds’ Love of his Art,
204

Reynolds’ Criticism on Rubens,
205

Reynolds and Haydn’s Portrait,
206

Rubens’ Last Supper,
206

Reynolds’ Skill in Compliments,
207

Excellent Advice,
208

Sir Joshua Reynolds and his Portraits,
208

Reynolds’ Flag,
209

Burke’s Eulogy,
209

Reynolds’ Estimate and Use of Old Paintings,
210

Influence of the Inquisition upon Spanish Painting,
211

A Melancholy Picture of the State of the Fine Arts in Spain,
217

Don Diego Velasquez,
226

Velasquez honored by the King of Spain,
227

Velasquez’s Slave,
228

Luis Tristan,
229

작가정보

저자(글) Art

화가 조각가 건축가 예술의 호기심 이야기 일화,제1권.The Book of Anecdotes of Painters,Engravers, Sculptors and Architects, and Curiosities of Art,by Shearjashub Spooner
영미저술가.
BY
SHEARJASHUB SPOONER, A. B., M. D.,
AUTHOR OF “A BIOGRAPHICAL AND CRITICAL DICTIONARY OF PAINTERS, ENGRAVERS,
SCULPTORS, AND ARCHITECTS, FROM ANCIENT TO MODERN TIMES.”
I N T H R E E V O L U M E S.
VOL. I.
New York:
PUBLISHED FOR THE AUTHOR,
BY G. P. PUTNAM & COMPANY, 10 PARK PLACE.
1853.
PREFACE.
THIS work is not a mere compilation, or republication of anecdote. It will be found to contain much original matter, and much of the most interesting and instructive portions of the history of art. For a list of authorities, the reader is referred to the author’s Dictionary of Painters, etc., and for a convenient reference, to the Index at the end of vol. iii. The author has studied his subject con amore, for many years, and has gathered abundant materials for three more volumes, should these be favorably received. But he fears lest in these romance-loving days, the recital of the trials, misfortunes, achievements and exaltations of those men of genius and fine sensibilities, to whom the world is indebted for the creation and development of the most beautiful arts, will fail to arrest the attention or move the heart.
Although it does not become a man to prate of himself, yet the author trusts he will be pardoned when he speaks of his labors and their object. For a long period, his labors have been directed to the great object of the restoration and publication of Napoleon’s magnificent works, the{iv} Mus？e Fran？ais and the Mus？e Royal, a notice of which may be found in vol. iii., page 302, of this work. He trusts he may soon be able to present the first numbers to the public. These, and his other achieved undertakings, have made his life one of the most untiring industry. In order to find time for these enterprises, and still attend to the calls of his profession, he has been obliged to deprive himself of repose and r

저자(글) by Shearjashub Spooner