예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome

Arthur Ransome 지음

뉴가출판사 2021년 08월 10일 출간

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책소개

예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome
예술 작품 즉 작가들의 작품에서 보이는 상세한 묘사및 모호한 추측에 대해서 기술한책, 이 책의 목차에 나오는 작가들은 니체 알퐁스도테 버트랜드 프랑시스코피 월터페이터 고몽 노구치 등이고 , 이책에서는 예술작품에 대해서 그리고 힘있는 스피치 화술에 대해서도 기술.
PORTRAITS
AND
SPECULATIONS
BY
ARTHUR RANSOME
MACMILLAN AND CO., LIMITED
ST. MARTIN’S STREET, LONDON
1913
NOTE
OF the Essays in this book, “Art for Life’s Sake” appeared in The English Review; “The Poetry of Yone Noguchi,”1 “Remy de Gourmont,” and “Aloysius Bertrand” in The Fortnightly Review; “Kinetic and Potential Speech,” in The Oxford and Cambridge Review. The papers on Daudet and Copp？e were prefixed to collections of stories by these writers: I thank the publishers, Messrs. T. C. and E. C. Jack, for permission to reproduce them here.

목차

예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome

CONTENTS
PAGE
1
ART FOR LIFE’S SAKE
ALOYSIUS BERTRAND 35
ALPHONSE DAUDET 57
THE RETROSPECTION OF FRAN？OIS COPP？E 71
FRIEDRICH NIETZSCHE 87
WALTER PATER 129
REMY DE GOURMONT 161
THE POETRY OF YONE NOGUCHI 187
KINETIC AND POTENTIAL SPEECH 207

책 속으로

예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome
예술 작품 즉 작가들의 작품에서 보이는 상세한 묘사및 모호한 추측에 대해서 기술한책, 이 책의 목차에 나오는 작가들은 니체 알퐁스도테 버트랜드 프랑시스코피 월터페이터 고몽 노구치 등이고 , 이책에서는 예술작품에 대해서 그리고 힘있는 스피치 화술에 대해서도 기술.
PORTRAITS
AND
SPECULATIONS
BY
ARTHUR RANSOME
MACMILLAN AND CO., LIMITED
ST. MARTIN’S STREET, LONDON
1913
NOTE
OF the Essays in this book, “Art for Life’s Sake” appeared in The English Review; “The Poetry of Yone Noguchi,”1 “Remy de Gourmont,” and “Aloysius Bertrand” in The Fortnightly Review; “Kinetic and Potential Speech,” in The Oxford and Cambridge Review. The papers on Daudet and Copp？e were prefixed to collections of stories by these writers: I thank the publishers, Messrs. T. C. and E. C. Jack, for permission to reproduce them here.

출판사 서평

예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome

ART FOR LIFE’S SAKE
IT is not yet fifty years since one or two men of genius, followed presently by a score of men of talent, noisier, shriller in voice than themselves, preached a theory of art new in this country, shocking to our prejudices at that time, and imported from some French artists and from a German philosopher. This was the doctrine of art for art’s sake. Baudelaire had written: “Poetry ... has no other end than itself; it can have no other, and no poem will be so great, so noble, so truly worthy of the name of a poem, as that which has been written solely for the pleasure of writing a poem.” Whistler, that butterfly of letters, who had borrowed his sting from the wasp, directed it with gay despair against the granite face of the British public. Rossetti and, with certain qualifications, Pater, illustrated the theory in their practice, as Whistler did also; and Wilde, a little later than they, remarked: “All art is quite useless,” and “There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all.”
With this doctrine of art for art’s sake we are now dissatisfied. We object to it, not for the sake of “morality,” against which it was partly directed, nor yet for the sake of “nature,” but for the sake of art, whose function it limits rather than glorifies. We have seen the school of art, if we may speak of a school of art, that carried the banner on which those words were inscribed, tire and fall away as the nineteenth century drew to its close, until now the tattered banner, with words almost illegible, is carried only by a schoolboy who joined the procession late and marches on, unconscious that the parade is over, that he is marching alone, and that nobody is looking at him. Yet the demonstration was successful; its promoters, who stitched the banner with gaiety, hope, and defiance, themselves painted and wrote fine things, and men are working to-day whose work would
have been impossible if, in the course of its march, that small, daring
procession had not walked seven times round a city of Jericho and blown silver trumpets under its walls.
Some battle-cries are no more than an irrelevant but inspiriting noise. Most of them, however, are related to something fought for, (St. George and Merry England!), something that, it is hoped, will superintend the fight (God with us!), or something that is fought against (A bas Marat!). The knight who shouted, “Two red roses across the moon” on a sultry day when―
“... the battle was scattered from hill to hill From the windmill to the watermill.”

작가정보

저자(글) Arthur Ransome

예술 작품의 상세한 묘사 및 추측. The Book of Portraits and Speculations, by Arthur Ransome
영미 영국 저술가.
PORTRAITS
AND
SPECULATIONS
BY
ARTHUR RANSOME
MACMILLAN AND CO., LIMITED
ST. MARTIN’S STREET, LONDON
1913
BY THE SAME AUTHOR
A HISTORY OF STORYTELLING: STUDIES IN THE DEVELOPMENT OF NARRATIVE. 1909
EDGAR ALLAN POE: A CRITICAL STUDY. 1910
THE HOOFMARKS OF THE FAUN. 1911
OSCAR WILDE: A CRITICAL STUDY. 1912