베토벤 《전원 교향곡》 1악장 전개부, 바그너 《라인의 황금》 중 ‘전주곡’, 그리고 라벨 《볼레로》의 분석을 통한 19세기에서 20세기 초의 음색작법 고찰

• 영문명: Study on Timbric Composition from the 19th Century to the early years of 20th Century through Analysis of the Development Section of the First Movement of Beethoven's Symphony Pastoral, Wagner's ‘Prelude’ of Rheingold, and Ravel's Bolero
• 발행기관: 한국서양음악학회
• 저자명: 김진호
• 간행물 정보: 『서양음악학』제13권 제2호, 155~202쪽, 전체 48쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2010.05.30

영문 초록

This article studies on Beethoven's development section of the first movement of Symphony Pastoral, Wagner's ‘Prelude’ of Rheingold, and Ravel's Bolero, which are considered as forming exceptional examples of the timbric composition from the 19th century to the early years of 20th century. The article examines not only the scores but also the poïétique situations of the pieces. Composed in particular situation, these pieces show the irreversible, transitional, unipolar, and fused sound continuum, where the music is more and more louder, densified, opaque, and the register is more and more wider with time. In these music we also identify almost everything, what one identifies in the micropolyphonic and microscopic music of György Ligeti. The only difference is derived from the magnification. Ligeti's microscope is more high-powered.

목차

1. 들어가면서

2. 논의의 전제조건으로서의 20세기 음색작법

3. 19세기에서 20세기 초의 음색작법

4. 작곡 과정에서의 개인적 상황

5. 나가면서

참고문헌

키워드

음색 작법 음향 연속체 단극성 이행 조직 음악 베토벤 《전원 교향곡》 중 1악장 전개부 바그너의 《라인의 황금》 중 ‘전주곡’ 라벨의 《볼레로》 timbric composition sound continuum unipolarity transition texture music Beethoven's development section of the first movement of 《Symphony Pastoral》) Wagner's Prelude of 《Rheingold》 Ravel's 《Boler o》