18/19세기 서양 희가극에 나타난 ‘희극성’에 대한 연구

• 영문명: The comicality represented in the 18th & 19th centuries Western Comic Opera
• 발행기관: 한국서양음악학회
• 저자명: 김미영
• 간행물 정보: 『서양음악학』제13권 제2호, 67~104쪽, 전체 38쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2010.05.30

영문 초록

The comicality is represented in the 18th & 19th centuries Western Comic Opera. The 18th century comic opera functions as an expression of the shared sensibility of people class and is characterized by criticism between unequal parts of society. The themes of Mozart's comic opera are composed not only of social criticism of the ancient feudal system, but also of the contradictions of the rational enlightenment that was a part of the new civil society. The comicality of the 18th century comic opera continues in the new social paradigm of the 19th century. The meaning of laughter in comic opera lies in its ability to recognize the limit of conventionality and thus is remarkable as an artistic expression. The significance of music language, as such, lies in that it enhances the function of recognition in laughter by tapping into emotions beyond the reach of verbal language.

목차

제1장 들어가는 글

제2장 18세기 희가극에 나타난 희극성

제3장 19세기 희가극에 나타난 희극성

제4장 나가는 글

참고문헌

키워드

피가로의 결혼 모차르트 희가극 오페라 부파 웃음 희극성 희극 거지 오페라 《코지 판 투테》 《후궁탈출》 《마술피리》 《돈 조반니》바그너 《뉘른베르크의 마이스터징어》 《팔스타프》 베르디 Le Nozze di Figaro Wolfgang Amadeus Mozart comic opera opera buffa Laughter the comicality comedy Beggar's Opera Cosi fan Tutte Die Entführung aus dem Serail Die Zauberflöte Don Giovanni Richard Wagner Die Meistersinger von Nürnberg Falstaff Giuseppe Verdi