영상의 역설, 실체 없는 실체에 답하다

• 영문명: The Irony of Images, Responses to the ‘Unfaithful’ Truth
• 발행기관: 한국예술종합학교 미술원 조형연구소
• 저자명: 박신의(Park, Shin-Eui)
• 간행물 정보: 『Visual』vol.9, 100~116쪽, 전체 17쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2012.09.30

영문 초록

Since 2003, Ahn Se Kwon has been filming and photographing the ever-changing cityscape of Seoul created by urban redevelopment projects of Cheonggye creek and Walgok-dong, for example. However, in doing so, the artist has never been truly honest about what his eyes saw. He captured things that the naked eye could not see by using telephoto lens and high-resolution films. Moreover, he manipulated the images by putting them together in a panoramic view, enlivening certain details through photo-retouching, or overlapping images taken at different time slots. His works records the 'memories of time' dwell in some specific areas. Moreover, it is a kind of way to confirm the nonexistence of something by fixing it to an enduring image. Therefore, this could be read as a method to focus on the ironic relations between the visible and the invisible. The irony is the source of power which enables Ahn Se Kwon to continue his works.

목차

안세권의 키노-아이Kino-Eye

시간 너머, 장소의 기억

도시의 고고학

역설, 그 끝나지 않는 질문

참고문헌

Abstract