- 영문명
- Patricide in Sam Shepard"s Holy Ghostly, The Late Henry Moss, and Silent Tongue
- 발행기관
- 한국영미어문학회
- 저자명
- 남정섭(Nam Jeongsub)
- 간행물 정보
- 『영미어문학』영미어문학 제86호, 135~149쪽, 전체 15쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2008.03.30

국문 초록
영문 초록
The absence of father is one of the issues most frequently visited by Sam Shepard; fathers absent from their home and wandering in exile in the desert are found in many works of Shepard such as Holy Ghostly (1969), True West (1980), Fool for Love (1983), Silent Tongue (1992), The Late Henry Moss (2000), and more.
Patricide appears, in his works, as just one of many strategies to make fathers absent even though it sounds an extremely unethical crime. In fact, Shepard"s world seems to present profound perversity and uncomfortable strangeness to realistic eyes. We must understand that mythical and psychological stages are what he aimed to create not realistic ones since he tried to produce modern myths about those who psychologically struggle to cope with the symbolic world of modern times.
This paper analyzes Holy Ghostly, The Late Henry Moss, and Silent Tongue in order to argue that first, patricide is a symbolic death of the imaginary father; second, the murdered father and the murderous son can enter the symbolic order by the death of the father; third, an imaginary association with the outdated ideology of Eurocentric machoism is the other side of the fathers who identity themselves with and keep hold of the ideology.
Patricide appears, in his works, as just one of many strategies to make fathers absent even though it sounds an extremely unethical crime. In fact, Shepard"s world seems to present profound perversity and uncomfortable strangeness to realistic eyes. We must understand that mythical and psychological stages are what he aimed to create not realistic ones since he tried to produce modern myths about those who psychologically struggle to cope with the symbolic world of modern times.
This paper analyzes Holy Ghostly, The Late Henry Moss, and Silent Tongue in order to argue that first, patricide is a symbolic death of the imaginary father; second, the murdered father and the murderous son can enter the symbolic order by the death of the father; third, an imaginary association with the outdated ideology of Eurocentric machoism is the other side of the fathers who identity themselves with and keep hold of the ideology.
목차
Ⅰ. 서론
Ⅱ. 부친 시해의 정신분석학적 의미
Ⅲ. 상징계의 무한 가능성: 『성령처럼』
Ⅳ. 상상의 굴레에서 벗어나기: 『고 헨리 모쓰씨』
Ⅴ. 낡은 이데올로기의 죽음: 『말 못하는 혀』
Ⅵ. 결론
인용문헌
Abstract
Ⅱ. 부친 시해의 정신분석학적 의미
Ⅲ. 상징계의 무한 가능성: 『성령처럼』
Ⅳ. 상상의 굴레에서 벗어나기: 『고 헨리 모쓰씨』
Ⅴ. 낡은 이데올로기의 죽음: 『말 못하는 혀』
Ⅵ. 결론
인용문헌
Abstract
키워드
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