- 영문명
- A Study on Toson"s Love - Poems Compared with 『The Divine Comedy』 of Dante - Focused on the Reception of the love of dualism
- 발행기관
- 일본어문학회
- 저자명
- 최순육(崔順育)
- 간행물 정보
- 『일본어문학』日本語文學 第35輯, 313~340쪽, 전체 28쪽
- 주제분류
- 어문학 > 일본어와문학
- 파일형태
- 발행일자
- 2006.11.01
국문 초록
영문 초록
This study is aimed for the research on Shimazaki Toson"s Literature, in terms of analysing his Japanese modern lovepoems focused on the reception aspect of the Divine Comedy of Dante. This thesis is emphasized on the analysis of the transfigurations of words, expressions, and thoughts in the Divine Comedy in the course of reception and modification of them in Japanese cultural climate to create new poetry appeared in his poetry volume Hitohabune〔쪽배〕Natsukusa Rakubaisyu〔여름풀〕, beginning with Toson"s first volume, Wakanasyu〔새싹집〕.
As a concrete research measure, at first, it was to pursue the Western European literature traces, secondly, to clear the traces origin from whose and what works. So as to do those analyses, it was to turn efforts toward Toson"s autobiography novel, Sakura no mi no jukusuru toki〔버찌가 읽을 무렵〕 and Haru〔봄〕which Toson"s been infatuated in his youth as a text, to select his favorite writer and works, to compare Toson"s poetry with the Western European writers and their literatures, and to find out parallels and similar plot and frame of poem among them, and the distinct relationship between modern way of thinking in Japanese Meiji Period.
In the course of this study, it was found out that Toson has accepted and exploited the Western European literature expressions and thought for his writing literature works. Because of his exploiting and mixing literature method, it is not to be distinguished from translation with adaptation.
Receiving the Western European literature he made success of the solution of his own problem of love. As for him, the word of love is very important vocabulary. Despite the love of Western meaning isn"t hardly used in his literature, because the flesh struggles for love had been his distress all over his life, as for Toson, it was divided into two kind of love, such as the love of flesh and the platonic love. Toson was influenced from the dualism, which origins from Dante‘ Divine Comedy and has the frame of love of flesh and spirit. Receiving the modern thought of modern freedom and individualism, Toson made his characters free from flesh and spirit and no more conflict for love of dualism. Of course, after sexual intercourse, there are waiting consciousness of sin from Christianity and despair over the hell from Dante. The consciousness of sin was to be loaded for all his life. Toson"s natural sorrow is owing to his suffering from sexual desire and his life was an endless struggle against his irresistible desire of flesh.
As a concrete research measure, at first, it was to pursue the Western European literature traces, secondly, to clear the traces origin from whose and what works. So as to do those analyses, it was to turn efforts toward Toson"s autobiography novel, Sakura no mi no jukusuru toki〔버찌가 읽을 무렵〕 and Haru〔봄〕which Toson"s been infatuated in his youth as a text, to select his favorite writer and works, to compare Toson"s poetry with the Western European writers and their literatures, and to find out parallels and similar plot and frame of poem among them, and the distinct relationship between modern way of thinking in Japanese Meiji Period.
In the course of this study, it was found out that Toson has accepted and exploited the Western European literature expressions and thought for his writing literature works. Because of his exploiting and mixing literature method, it is not to be distinguished from translation with adaptation.
Receiving the Western European literature he made success of the solution of his own problem of love. As for him, the word of love is very important vocabulary. Despite the love of Western meaning isn"t hardly used in his literature, because the flesh struggles for love had been his distress all over his life, as for Toson, it was divided into two kind of love, such as the love of flesh and the platonic love. Toson was influenced from the dualism, which origins from Dante‘ Divine Comedy and has the frame of love of flesh and spirit. Receiving the modern thought of modern freedom and individualism, Toson made his characters free from flesh and spirit and no more conflict for love of dualism. Of course, after sexual intercourse, there are waiting consciousness of sin from Christianity and despair over the hell from Dante. The consciousness of sin was to be loaded for all his life. Toson"s natural sorrow is owing to his suffering from sexual desire and his life was an endless struggle against his irresistible desire of flesh.
목차
1. 서론
2. 도손의 근대시와 단테의 『神曲』
3. 『神曲』에 나타난 「지상의 사랑」의 도손의 이해
4. 결론
참고문헌
2. 도손의 근대시와 단테의 『神曲』
3. 『神曲』에 나타난 「지상의 사랑」의 도손의 이해
4. 결론
참고문헌
해당간행물 수록 논문
참고문헌
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