디지털 시대의 문화적 실천과 영화

• 영문명: Cultural Practice and Cinema in the Digital Age
• 발행기관: 한국영화학회
• 저자명: 김병철
• 간행물 정보: 『영화연구』제37호, 37~60쪽, 전체 24쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2008.09.30

영문 초록

Today the digital is the hottest issue in the field of cinema. The digital technology changes every parts of cinema - production/distribution/ screening/discussion. But most of discussion about digital cinema is enchained by the tautology. So, I want to change the focus from the digital technology itself to the cultural practice in the media environment based on the digital technology. Because, the technological change in the media changes the media experience, and it causes the radical change in the cinema production and consumption. I think Lee Myoung Se's M(2007) is the distinguished case of changed film making n the media environment based on the digital technology. First, it has the shattered narrative. It has a very simple story about a man who is looking for a his bygone lover. But a dreams, illusions, memories are mixed with a real life, so audiences feel a chaotic experience. There is no coherent linear structure in this film. Instead there are some images which reflect some spaces. I think that it can be called a space montage. Second, this film has so many variations/repetitions in its structure. The repetitions and variations are not only a style but the structure of this film and its core- for example, mies en abyme. Third, this film shows a intermediality. This film uses many characteristics of other media - typography, cartoon, photography, paintings and so on. Many kinds of media coexist in this film. It means that this film is a kind of hypertext which connected to other texts. M cannot be said to be a typical digital cinema. But in these reasons, M shows a radical change of film making and reflects a cultural practice in the age of digital technology.

목차

1. 들어가며: 디지털 영화 혹은 디지털적인 문화 실천

2. 영화 〈M〉의 특징적인 요소들

3. 나가며

키워드

digital technology cultural practice hypertext